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The New York Times' latest Op-Doc—part of their series of short, interactive, and virtual reality documentaries—profiles Julio César Cú Cámara, whose job it is to dive into the sewers and water treatment plants of Mexico City. For the past 36 years, Cámara has been a sewage diver... View full entry
The New York Times has made a map of every building in the United States. Using a neural network to analyze satellite imagery, the team's program then traced the shape of buildings across the country. Users can enter a city, zip code, or address, and explore these areas in detail. It's pretty... View full entry
By collapsing the roles of architect, developer and interior designer, they make spaces with an unparalleled intimacy and a highly refined sense of place. “When we choose a project, it’s not just a project,” says Chan Eayrs. “It’s where we choose to spend two to three years of our life, every day, touching and feeling it, living it.” — The New York Times
The New York Times profiles British architect couple Zoe Chan Eayrs and Merlin Eayrs, whose highly dedicated design process — in which they live in whatever project they are currently renovating through completion — has resulted in a refreshing portfolio of unique living spaces that “feel as... View full entry
What if you could start over and take the career path most different from the one you’re on? Let us help you.
The Labor Department keeps detailed and at times delightfully odd records on the skills and tasks required for each job. Some of them are physical: trunk strength, speed of limb movement, the ability to stay upright. Others are more knowledge-based: economics and accounting, physics, programming. Together, they capture the essence of what makes a job distinctive.
— The New York Times
The New York Times has used job-specific records to find the polar opposite of each job. Determining skills used either the most or the least, this tool has helped in understanding more clearly what it is people actually do at their job beyond the initial understanding of the title or position. ... View full entry
Everyday, The New York Times brings its readers a new 360-degree video with their series, The Daily 360. In one of their recent videos for the project, Times journalists give us a behind the scenes look at Thomas Heatherwick's ongoing public project in New York City’s Hudson Yards... View full entry
Communities across the country are confronting the mounting evidence of climate change and developing means of fortifying buildings and infrastructure against rising sea levels and ever-more-intense storms, even as the Trump administration reverses policies premised on climate change.
“We’re not spending money on that anymore,” Mick Mulvaney, the director of the Office of Management and Budget, told reporters in Washington recently. “We consider that to be a waste of your money.”
— The New York Times
"People who live, work or build in flood plains like West Chelsea and elsewhere say they cannot be so dismissive. They are spending money."The New York Times has compiled case studies as well as an associated glossary of steps taken in New York City and its environs to help shore up the built... View full entry
Rooting himself less in a strictly academic tradition and more in an observed, on-the-street context, architecture author and researcher Christopher Gray catalogued what he considered to be beautiful and surprising for The New York Times from 1987 to 2014 in his "Streetscapes" column. He also... View full entry
From their studios, ateliers, film sets and kitchens — and even the White House — these are the people whose inventive spirits shaped the conversation this year. — nytimes.com
It certainly was an eventful career year for Alejandro Aravena (Pritzker Prize, Venice Biennale, et al.), and the ambitious Chilean's cultural footprint can be traced throughout a handful of our Archinect 2016 Year In Review posts:The top prize-winning architects of 2016How starchitect culture... View full entry
For a serious architect who has designed public housing in Dallas and a bridge in Slovenia, it may come as a surprise that Oana Stanescu’s best-known work is a 50-foot-high volcano that Kanye West ascended onstage during his grandiose Yeezus tour...Along with Dong-Ping Wong, her partner in the West Village architectural firm Family, Ms. Stanescu is making a name for herself in design circles for her ability to merge pop culture with utilitarian design. — The New York Times
For more Family on Archinect, you can check out Oana's archived Archinect School Blog, the +POOL, and the firm's other cool projects. View full entry
Over at the Los Angeles Times, Christopher Hawthorne eloquently pans the new addition to the 405 freeway, noting that "The expanded 405 might be the first L.A. freeway project to look haggard and disjointed the day it opened." His review comes at a time when infrastructure, especially in... View full entry
The exhibition recalls an earlier era when architects there believed that social challenges should be tackled by design, that humane societies deserved beautiful new forms, and progressive development put faith in art, nature and the resilience of ordinary people. — Michael Kimmelman, New York Times
Michael Kimmelman of The New York Times wrote a review on the recent MoMA exhibit, ‘Latin America in Construction: Architecture 1955-1980’. The exhibit highlights the work of Oscar Niemeyer, Lina Bo Bardi, Eladio Dieste, Rogelio Salmona and others who helped define Latin American modern... View full entry
The strategy, she said, is “minimum intervention.” The point is to preserve the objects and buildings, not beautify them. Every year, as more survivors die, the work becomes more important. “Within 20 years, there will be only these objects speaking for this place,” she said. — New York Times
Until the advent of cable television and then the Internet, Latin Americans, creators and consumers alike, were often more aware of trends in Europe and the United States than in nations neighboring theirs: Whatever similarities in style that emerged regionally were largely the result of discrete, parallel responses to the challenges of urbanization, poverty and the need to somehow integrate modernity and tradition. — The New York Times
Midcentury architecture and design from the Latin America region seems to be a trend in recent exhibitions in MoMA, MAD, and Americas Society in New York. New York Times writer Larry Rohter compares and contrasts the exhibitions, which shed light on the all-too-familiar tension of integrating... View full entry
Architecture, of the capital “A” variety, is exceptionally capable of creating signature pieces, glorious one-offs. We’re brilliant at devising sublime (or bombastic) structures for a global elite who share our values. We seem increasingly incapable, however, of creating artful, harmonious work that resonates with a broad swath of the general population [...]
We’ve taught generations of architects to speak out as artists, but we haven’t taught them how to listen.
— nytimes.com
Architecture, however, is a social art, rather than a personal one, a reflection of a society and its values rather than a medium of individual expression. So it’s a problem when the prevailing trend is one of franchises, particularly those of the globe-trotters: Renzo, Rem, Zaha and Frank.
It’s exciting to bring high-powered architects in from outside... But in the long run it’s wiser to nurture local talent; instead of starchitects, locatects.
— tmagazine.blogs.nytimes.com
