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As part of their yearly innovators issue, which will hit newsstands tomorrow Nov. 4th, the Wall Street Journal has named Diller Scofidio + Renfro their 2017 Architectural Innovator of the Year. The 36 year old firm has "gone from downtown phenomenon to international powerhouse" the magazine... View full entry
The Russian President Vladimir Putin opened Zaryadye Park near Red Square on 9 September, designed by Diller Scofidio + Renfro, creators of New York’s High Line, but what Moscow city officials are lauding as a “new symbol of Russia” preservationists are decrying as a travesty that impinges on the Kremlin and St Basil’s Cathedral, two of Russia’s most sacred landmarks. — The Art Newspaper
Diller Scofidio + Renfro's Zaryadye Park proposal for an ambitious replacement of the colossal Soviet-era Hotel Russia near the Kremlin in central Moscow won the international competition back in 2013 with a "wild urbanism" concept. Rendering of DS+R's Zaryadye Park project in central Moscow... View full entry
In its scale, this faintly quaint, eloquently designed contraption aspires to conjure up the spirit of those 19th-century exemplars of elegant engineering like the Brooklyn Bridge or the Eiffel Tower: industrial-era monuments of structural form, both necessary and sufficient, ingenious but not space age, encapsulating the aspirations of a city. — NY Times
While the Shed, an art and performance space designed by Diller Scofidio + Renfro in collaboration with Rockwell Group will be in construction for at least another year, the structure is already capable of conducting its five minute moving act along the High Line. Weighing in at 8 million... View full entry
“Our curators and the architectural team have spent more
than two years in conversations about the nature of our collection, the history of our
installations, the continually changing nature of art, and our opportunities and responsibilities
for engaging our audiences. The outcome of these discussions is a design that accommodates
a global view and new perspectives on modern and contemporary art, and that embodies the
metabolic and self-renewing nature of our institution.
— Glenn D. Lowry, Director of The Museum of Modern Art
Glenn D. Lowry, Director of The Museum of Modern Art, today revealed the completed renovation of the east end of the Museum’s campus and unveiled the full design of a multi-year expansion project, developed by MoMA with architects Diller Scofidio + Renfro in collaboration with Gensler.The goals... View full entry
[W]hile only the skeleton of the six-level structure [...] has been completed so far, there are already some elements that set The Shed apart. The most obvious of these is a telescoping shell on wheels that serves as both a façade for the gallery spaces and a flexible canopy that can be extended to enclose a public plaza [...]“This project is bone and muscle and there's no fat,” said the architect Elizabeth Diller — The Art Newspaper
A look at the latest construction developments of the Hudson Yards' “The Shed” arts and culture center, which began late last year and is due for a 2019 opening. View full entry
Elizabeth Diller, the founding partner of Diller Scofidio + Renfro, will now deliver a keynote address at this year’s AIA Conference on Architecture. The announcement follows intense criticism lodged at the AIA last month following an initial announcement of a lineup without any women. Many... View full entry
[Dubbed “The Shed”,] The 18,500 square metre venue has six storeys and can “accommodate the broadest range of performance, visual art, music, and multi-disciplinary work”. A cultural centre will be encased in a 34m-high outer shell that can slide on rails to double the ground space. The building includes two large-scale column-free galleries comprising 2,320 square metres of museum-quality space, a 500-seat theater and event and rehearsal spaces. [Completion is due] in 2019. — globalconstructionreview.com
For more about New York's Hudson Yards: BIG-designed "The Spiral" Hudson Yards tower is inching closer to becoming reality Renderings of Thomas Heatherwick's "Vessel" for New York's Hudson Yard revealed Welcome to the Hudson Yards, c. 2019: the world's most ambitious "smart city" experiment View full entry
Pierre Chareau was a French architect and designer best known for the groundbreaking Maison de Verre in Paris that he designed with Dutch architect Bernard Bijvoet. However, Chareau's diverse body of work has received hardly any exposure in the U.S. Thanks to a collaboration between Diller... View full entry
The South Sea Pearl Eco-Island development is funded by HNA Group and will include houses, hotels, a cruise ship port, yacht harbour, spa and theme park. [...]
The jury said the “singular and clear” design would “create a beautiful, iconic form rising naturally out the landscape, recalling the volcanic caldera of the area, and shape the island into a continuous structure that would be an extremely efficient compaction of resort, retail, and housing."
— globalconstructionreview.com
The "eco" stands for... well, it depends. To HNA Group: “This proposal is one for a truly a human-made island that celebrates all that makes such water-bound places so attractive and beautiful, while contributing to our understanding of deep, intrinsic ecology.” To the Permanent Court of... View full entry
It is not the first time, though, that a design like this has been pitched for the university. However inadvertently, the DS+R design resembles another proposal for the campus—a draft project that was eventually revised. While the resemblance between two draft renderings is hardly consequential, this one comes as a surprise, given the nature of the projects and the history between the firms. — City Lab
Raking only the choicest aesthetic muck, in this piece Kriston Capps wonders at the passing similarities between Tod Williams Billie Tsien Architects' initial proposed design for the University of Chicago's David Logan Center for Creative and Performing Arts and Diller, Scofidio, and Renfro's... View full entry
The University of Chicago, weary of holding large events off-campus, hired Diller, Scofidio and Renfro to design a 90,000 square foot, multi-faceted meeting place. The result is the Rubenstein Forum, which will be placed next to the Harris School of Public Policy’s future Keller Center and... View full entry
This fall, the Jewish Museum will present what it’s billing as the first United States exhibition devoted to the work of Pierre Chareau, a French Modernist who for decades fell out of the mainstream history of art and architecture [...]
Chareau (1883-1950) was a prolific designer and art collector in France, and best known for his Maison de Verre (“Glass House”), a landmark building in Paris created in 1928 in collaboration with the Dutch architect Bernard Bijvoet...
— the New York Times
The exhibition, entitled "Pierre Chareau: Modern Architecture and Design", is the third exhibition in a trilogy of design exhibitions, following surveys of the work of Isaac Mizrahi and Roberto Burle Marx.The French architect and designer also had an impressive collection of art, which will be on... View full entry
For our 50th (!!!) episode, we discuss the biggest news items from the last week – everything from the latest BIG and DS+R shake-ups to a surprisingly controversial Seattle homeless shelter – and it's been a doozy. We take a look at:The "sphincter from which digital art issues" (according to... View full entry
Although the renderings and Twitter pics of Diller Scofidio +Renfro's Berkeley Art Museum and Pacific Film Archive produced a heated response on Archinect, evaluating the museum from a programmatic standpoint makes it appear as less of a "giant TV on the sidewalk" and more a clever fusion of needs... View full entry
Gone is the “Art Bay,” with a glass garage-like door that would have allowed visitors to enter galleries straight from the street.
Gone, too, is the fourth-floor “Gray Box,” with acoustic absorption panels through which passers-by could have peered up at performance art in progress.
And there will be no new public entrance to the sculpture garden on 54th Street.
The Museum of Modern Art has eliminated these polarizing elements of its sweeping redesign, museum officials said on Tuesday...
— the New York Times
MoMA officials also released more information on the construction, slated to begin in February with total costs estimated between $390 million and $400 million. The Diller, Scofidio + Renfro-led renovation is the second major redesign for the influential museum in recent memory. Just over ten... View full entry
