Frieze announced details of the architecture that will house the inaugural edition of Frieze Masters. Employing a design that aims to both literally and figuratively show art in a new light, Frieze Masters is designed by New York-based Selldorf Architects. Frieze Masters will take place 11–14 October 2012 on Gloucester Green, Regent’s Park, London. — artdaily.org

Smith is one of 20 landscape architects who have helped create a new online guide to the city’s important outdoor spaces, some world famous, others, such as the Civil War memorial at U and Vermont Avenue NW, not as well known. The Web site, The Landscape Architect’s Guide to Washington, D.C., was launched Sept. 13 by the American Society of Landscape Architects, and there is a version for mobile devices. — washingtonpost.com

For his latest project, he enclosed Gaetano Russo’s 1892 statue of Christopher Columbus at Columbus Circle within a living room on a scaffold more than 70 feet up. Visitors will be admitted into the 810-square-foot space for a carved-marble-eye view of Central Park. — nytimes.com

The 11 floors tower of the HESAV (Health High School Vaud) has been animated as a rudimentary screen whose pixels are, in fact, all the windows and shutters that students, staff and friends shake for hours. This project announces the celebration "HESAV fait ses 400 coups!" from 1rst to 8th of November 2012 // — youtube.com

The NYT reported that Pedro E. Guerrero, a former art school dropout , died on Thursday at his home in Florence, Ariz. w. wynne A.I.A. offered up the following "Pedro has a wonderful book about his photographic work, and I am sadden to hear of his death. Mr. Wright called him ‘Peter’, but the story of his life with FLW is very nice and interesting account of the middle career of Mr. Wright."

Today we chat with a man on a mission, Stan Munro, creator of the astounding and ever-growing Toothpick World. Stan is out to re-create the world’s most famous buildings — using nothing but toothpicks and glue. — blog.makezine.com

Over the last three decades, the design of U.S. embassies has been a balancing act between the need to protect diplomats and staff and the desire to project a positive image of the United States: welcoming buildings that showcase transparency and openness versus imposing and intimidating fortresses. But attacks on U.S. facilities, especially in the post-9/11 era, have tended to tilt the conversation toward the latter... — npr.org

The larger irony is that in calling for a huge new mosque in the tradition of Sinan, Erdoğan may be missing the more fundamental lesson of the Ottoman architect’s work. As Bruno Taut, the German architect who emigrated to Turkey to flee the Nazis, argued, Sinan was himself a proto-modernist whose ability to create extraordinary beauty from novel engineering had more in common with twentieth-century German functionalism than earlier Islamic architecture. — The New York Review of Books

As Occupiers posted links, updates, photos and videos on social media sites; as they deliberated in chat rooms and collaborated on crowdmaps; as they took to the streets with smartphones, they tested the parameters of this multiply mediated world. What is the layout of this place? What are its codes and protocols? Who owns it? How does its design condition opportunities for individual and collective action? — Places Journal

Phil Boucher is a self-described “architecture nerd.” And while part of that means marveling and photographing the beautiful buildings around Boston, it also means recreating the entire city as accurately as possible in the video game Sim City 4. — wbur.org

The architects, Grimshaw, have taken something delicate and beautiful and surrounded it with a building that looks like a 1980s bus station. Clumsy and ineptly detailed, their new glass greenhouse around the Cutty Sark totally ruins her thrilling lines, obscures much of her exquisite gilding and cynically forces anyone who actually wants to see her to pay their £12 and go inside. — blogs.telegraph.co.uk

I asked a dozen contemporary furniture experts for their opinions on which objects produced in the last decade or so would occupy the design-conscious home of 2050, just as, say, the Eames lounge chair, a mid-20th-century creation, resides in ours. The result is a showroom’s worth of potential design classics, against which I offer my own list of five.

But first, what makes a classic? — nytimes.com

The park...was conceived four decades ago. The visionary architect who designed it died in 1974. The site...remained a rubble heap while the project was left for dead. But in a city proud of its own impatience, perseverance sometimes pays off. — New York Times

With a sea change (partly generational, mostly philosophical) overtaking architecture, and attention turning from glamorous buildings and celebrated designers to broader issues like urbanism, public space, social responsibility and collaboration, “Common Ground” is well intended but, alas, a missed opportunity. — nytimes.com