How exactly did the faceless tower block become the inspiration for contemporary Russian visual culture?[...]

Large estates are like fractals, or a space created by facing mirrors. Building 8 is exactly the same as building 14, and its young inhabitants must perhaps have the same preoccupation: to someday acquire a similar cell in one of these purpose-built units around town. Can creativity come from places like that? In contemporary Russia, somehow, it does. — theguardian.com

As modern Philadelphia shapes its future, some of its citizens have turned to the artifacts of its former prowess for inspiration. Much as the High Line in New York is widely believed to have been partially responsible for the reinvigoration of not only a derelict site but also its surrounding neighborhood, a portion of elevated rail track in central Philly known as the Reading Viaduct has been hoisted into public view as a potential catalyst for urban transformation.

Late last week, Chilean police arrived at Santiago’s Centro Cultural Gabriela Mistral and removed a white bin of gray ash — allegedly all that remained of $500 million worth of student debt notes.

In the video, which went viral last week in Chile, Papas Fritas confessed he had recently stolen the documents from the for-profit Universidad del Mar. Then he set them ablaze in a defiant, brazen act of art. — washingtonpost.com

I am young man of 71 years old. I am a visual man. A man working working with eyes and hands.

Though Piano has taken several passes at the sphere, it hasn't coalesced into a convincing set of architectural ideas. The theater design remains gimmicky, alienated rather than emerging confidently from its site, as Piano's best museum projects do.

By refusing to budge on its construction timeline, the academy is doubling down on the least-promising elements of the design. Sure, some refinements might smooth out some of its more obvious wrinkles. What they won't do is salvage the design... — latimes.com

A special construction material keeps concrete whiter than white. — CNN

For most of the 20th century, Atlanta was known for its public housing. The city had pioneered the concept in the 1930s [...]

Two decades later, that proportion has fallen all the way to zero. [...]

Looking at these two decades of rapid residential change, Atlanta native and filmmaker King Williams is looking for an answer to a seemingly obvious question. With his in-production documentary The Atlanta Way, Williams asks: Where did all of these people end up? — theatlanticcities.com

Hans-Ulrich Obrist: The accompanying "Instagram" photos were sent to me from world-renowned architect Frank Gehry. I asked him, like I’ve asked many other artists, simply to write something in his or her own handwriting –- a disappearing art in the digital age. — huffingtonpost.com