When somebody comes to make your city smart, he never comes by himself...billions in growth doesn't come without standards and industry alliances. I have never seen so many standards and industry alliances as I am seeing in 'Smart Cities' and 'Internet of Things', and foundations too. — YouTube

In just a few minutes I was hooked. . . The photos and video were stunning. By assuming unusual vantage points, the drone allowed me to “see” so much more of my surroundings than usual.

[The view] would have otherwise been impossible without the use of a private plane, helicopter, or balloon. With any of those vehicles, I would have needed a telephoto lens, and all of them would have made an unacceptable commotion on the beach. What’s more, I would not have been in the photos! — Martha Stewart

English photographer Rebecca Litchfield braved radiation and KGB-style interrogation techniques to capture the beauty of this bygone era in a series called Soviet Ghosts.

Her work took her to schools, hospitals, factories, and accidentally, a top secret radar installation. “Many of the abandoned buildings are pretty unknown to the public, they are hidden behind tall fences and gates, I think it is easy to just pass without knowing what is inside,” says Litchfield. — wired.com

As we speak, pinhole cameras are being placed in secret locations all over Berlin. Each will each take a single photograph with a 100-year exposure. Volunteers will place the cameras in neighborhoods throughout the city, keeping the location a closely guarded secret until they grow old or ill, at which time they will pass the information on to someone in the next generation. In 2114, the people they’ve told will retrieve the cameras from their hiding spots — nextcity.org

The leading Saudi artist Ahmed Mater, who caused a stir with a series of photographs depicting the rampant redevelopment around Mecca, is due to take part in his first public talk in the UK at Sotheby’s London (12 August). Mater will also discuss this work in relation to other cities such as Jerusalem and Medina during the discussion, entitled “Contemporary photography and hybrid architecture”. — theartnewspaper.com

When Alfredo Jaar’s glittering “A Logo for America” video first played on a Times Square billboard in 1987, it riled up New Yorkers. [...] shows the words “This is not America” inside the outline of the United States. “A Logo for America” will receive a second life this week; beginning on August 1, the video will pop up on Times Square signs and screens between 11:57 pm and 12:00 am. But this 2.0 version loses some of the video’s original intent to reach a broad—and hopefully attentive—audience. — artfcity.com

The idea behind CV dazzle is simple. Facial recognition algorithms look for certain patterns when they analyze images: patterns of light and dark in the cheekbones, or the way color is distributed on the nose bridge—a baseline amount of symmetry. These hallmarks all betray the uniqueness of a human visage. If you obstruct them, the algorithm can’t separate a face from any other swath of pixels. — theatlantic.com

Working simultaneously from the inside out - engaging the functional needs and psychological desires of the program - and the outside in - making connections to the city campus and relating to the Mackintosh building opposite - the design embodies the school's aspirations in the city's fabric. — Steven Holl Architects

French photographer Romain Jacquet-Lagreze decided to release a second edition of his book 'Vertical Horizon', featuring 56 photos from the first book and 22 new vertigo-inducing images — telegraph.co.uk