"In the late 1920s, Le Corbusier created a plan for Paris," Ford says. "Its most celebrated portion was called 'Towers in the Park.' [...]

Think unremarkable, high-rise apartment buildings. Think low-income housing projects. [...]

"Many of hip-hop's most prominent artists were born, raised, and perfected their crafts in those very same housing projects. Hip-hop was a result of the economical, political, and sociological deprivations instituted by the housing projects across America." — metrotimes.com

The Eisenhower Memorial Commission on Wednesday will review two approaches, including one that removes most of these elements. If that plan is selected, Gehry informed the commission, he will ask for his name to removed. — washingtonpost.com

IKEA has a little known secret: the company is a non-profit. Ingvar Kamprad the founder of IKEA created the philanthropic Stichting Ingka Foundation whose mission is to “further the advancement of interior design.” IKEA’s bizarre business model looks like this: the nonprofit Stichting Ingka owns a private Dutch Company, Ingka Holdings that owns the majority of individual stores at the franchise level. — onlinemba.com

“We are thrilled that UNC CSI’s Research Building has received this international design award. It brings attention to how good design can integrate beauty innovation and functionality to create a facility that serves as an important resource for Eastern North Carolina.” — Nancy White, UNC Coastal Studies Institute executive director

Students and professionals had another opportunity to take part in the third cycle of the AA Athens Visiting School program, "Cipher City: Revolutions". Taking place at the National Technical University of Athens this past spring, participants focused on addressing the roles of change, adaptation and interaction through scripting and digital fabricating techniques at large scale models. — bustler.net

it seemed perverse to us that architecture has become all about the aesthetics of a few iconic buildings whose main function is the glorification of those with the money to build them. As one prize after another celebrates the work of a selected band of world famous "starchitects", it seemed like humanity's most pressing problems are how to fold metal into the most obscure shapes, and how implausibly high a building can go. — Al Jazeera

Mildred Friedman, a curator at the Walker Art Center in Minneapolis in the 1970s and ’80s who helped both the museum and the contemporary design and architecture it celebrated become objects of international acclaim, died on Sept. 3 in Manhattan. She was 85. [...]

Ms. Friedman executed a curatorial hat trick: She elevated design even as she made it more accessible — and she did it in Minnesota, far from the traditional sanctums of aesthetics. — nytimes.com

To many designers, the manual became an exemplar of the form—and a design classic in its own right. [...] When Hamish Smyth and Jesse Reed, who work at the New York design firm Pentagram, stumbled across a copy a few years ago, it was buried under old gym clothes in a locker.

They digitized the manual, and now they’re reprinting it with the blessing of the MTA. A complete reissue, which includes a new essay on the manual’s history, is being sold on Kickstarter starting today [...]. — qz.com

Using tracer viruses, researchers found that contamination of just a single doorknob or table top results in the spread of viruses throughout office buildings, hotels, and health care facilities. Within 2 to 4 hours, the virus could be detected on 40 to 60 percent of workers and visitors in the facilities and commonly touched objects. — ScienceDaily

A project from three students at Barcelona’s Institute for Advanced Architecture of Catalunya continues that exploration by looking at how physical spaces could someday morph based on various environmental inputs.

The project, Translated Geometries, tackles the idea by developing a new use for Shape Memory Polymers, a composite material that can deform and return to its original state when activated by cues like heat, humidity and light. — wired.com

The idea of the Future Cemetery is to create a place for people to connect with death. What that actually means and looks like is still in development, Troyer says, but in the first stage of the project they did everything from projections to audio installations. Now, they’re working on developing augmented reality experiences in cemeteries—elements that are only visible with certain devices and if you know they’re there. The idea is to allow people to add to their own cemetery experience... — theatlantic.com

I really like it. I don't get the hate for the sphere. I think it will be a cool space to enjoy in person, vs. just looking at drawings. - reader comment (NeutraFilmmaker67) — Curbed