The owners of the 222-metre (734ft) “Cheesegrater” building, the second tallest building in the City of London, are to replace dozens of long bolts on its structure after it was revealed that another one had fractured.

The bolts, among 3,000 on the building’s 15,000-tonne frame, are each just under a metre long. Two snapped in November, with some debris falling to the ground from the fifth floor. Nobody was hurt, but an area below the tower is still cordoned off. — theguardian.com

That’s a lot of accolades for one building, but the SHoP Architects-designed tower at 111 West 57th Street is looking to sweep the supertall competition. Originally planned to rise 1,397 feet, the tower will now soar to 1,421 feet, surpassing 432 Park Avenue (the current tallest residential building in the Western Hemisphere) by 24 feet, according to city records uncovered by Crain’s. It will also retain its title as the world’s slenderest tower. — http://www.6sqft.com/

On Wednesday, developer Richard L. Friedman will formally kick off construction of the tallest skyscraper to be built in Boston in 40 years — a 700-foot tower at 1 Dalton St. that will include the city’s second Four Seasons Hotel and some of its most expensive condominiums. [...]

The skyscraper at One Dalton is being designed by Hancock Tower architect Harry N. Cobb, of Pei Cobb Freed & Partners, in collaboration with Gary Johnson of Cambridge Seven Associates Inc. — bostonglobe.com

Hours before the official inauguration of the Philharmonie de Paris concert hall on Wednesday, its architect, Jean Nouvel, declared his intention to boycott the gala because he said the towering, 386 million euro (about $455 million) building is not ready to open. [...]

Mr. Nouvel wrote a column that appeared on the website of the French daily Le Monde denouncing the “contempt” of the concert hall managers for “the architecture, the work of the architect and the architect.” — artsbeat.blogs.nytimes.com

As the Norton Museum of Art in West Palm Beach, Florida, prepares to break ground on its Foster + Partners—designed expansion in 2016, the institution has launched the second phase of its capital campaign, which has already raised nearly $34 million, more than half of the museum's $60 million goal. [...]

"Foster + Partners' plan pays homage to the Museum's past by restoring the clarity and symmetry of the original building, but also looks to its future as a leading museum in Florida" [...] — news.artnet.com

[Ray Bradbury's] Cheviot Hills house ... hit the market last May, and sold in a little over a month for $1.765 million [...]

the buyers were Pritzker-Prize-winning architect Thom Mayne, of the firm Morphosis, and his wife, Blythe Alison-Mayne. [...]

the new property owner's plan is to demolish Bradbury's house to put in a new house with three underground levels—one of which will hold a swimming pool—and two stories above ground. — la.curbed.com

Like the fork, the cellphone expires and no longer feels as useable in its user’s hand. Like the fork, the cellphone was not first designed for all people. New cellphones work for most people who invested in personal computers and the internet, but they don’t work for anyone else without guidance or instruction. — toskovic.com

Buoyed by some of the largest donations in the city's history, the Museum of Fine Arts, Houston will unveil a $450 million project today that envisions its campus as the cultural heart of the city. [...]

The project, by Steven Holl Architects, is the most exciting in the institution's 90-year history, board chairman Richard Kinder said. The plan, named the Fayez S. Sarofim Campus, is so transformational that in five years Houstonians might not recognize the 1000 block of Bissonnet. — chron.com

Only one of the new buildings is ready, its centrepiece artwork had to be dismantled after bits fell off – and people are more excited about getting their first Ikea. [...]

A €155m new station, designed by Santiago Calatrava as a swooping sci-fi bird, is so far no more than a concrete foundation slab. It replaces a much-loved 1950s station by a local architect, and it’s now optimistically scheduled to open in 2018, having escalated to four times its original budget. — theguardian.com

In 2015, Libeskind’s brand of Deconstructivism (and all varieties of Deconstructivism, one might argue) amounts to a familiar, dull architecture; a calcified formal language whose shock-factor and novelty has worn away. One would hope that Libeskind, as a leading architectural practitioner, could at least try to articulate a new agenda in the experimental vein of his earlier work. Alas — as the Mons International Conference Xperience shows — that’s not the case.  — blouinartinfo.com

After 13 years of negotiations with the region's Port Authority, work has begun on the Greek Orthodox church that will be the only non-secular building at Ground Zero. Many believe it will become one of the most visited churches in the US. It is planned to be completed by Easter 2017. — bbc.com

From the opening of the Fondation Louis Vuitton in Paris in October to the construction of The Broad in Los Angeles now set to open this autumn, the model of the single-donor museum is thriving. [...] what will happen to these new institutions on the death of the founder or the decline in their collecting activity. [...]

To what extent have these museum founders made plans to ensure the vitality and flexibility of their prized institutions beyond their own lifetimes? — theartnewspaper.com