Three nine-foot-high, 300-square-foot rooms stacked atop one another, along with two interior bricked-in patios on the first floor furnished with clay pots of cacti and other regional plants, which offer the only visual disruption of the house’s earthen hues and exacting lines. Inside, the brick walls are adorned with little but the shadows of the day’s moving light. — T Magazine
Luisita Lopez Torregrosa traveled to Mexico City, to profile Taller / Mauricio Rocha + Gabriela Carrillo and their Studio Iturbide project, built for Rocha’s mother, the photographer Graciela Iturbide.via Ben Sklar View full entry
Constance Adams, an architect who gave up designing skyscrapers to develop structures that would help travelers live with reasonable comfort on the International Space Station, Mars or the moon, died on Monday at her home in Houston. She was 53. — The New York Times
With architecture degrees from Harvard and Yale, Constance Adams worked—in the traditional sense of the profession—for César Pelli, Kenzo Tange, and German firm Josef Paul Kleihues, before applying her skills in various NASA design programs for space habitats (including the three-level... View full entry
Earlier this year, Barcelona-based architect Carme Pinós was selected as the designer for the 2018 MPavilion, and now we've also received first renderings of the origami-like temporary structure in Melbourne's Queen Victoria Gardens. Rendering. Image courtesy of MPavilion."The design for... View full entry
At Pioneer Works, in Brooklyn, the show “Gerard & Kelly: Clockwork” — photographs, text, installations, and live and filmed dance — references the three small structures and the intertwined careers of their architects: the Schindler House in West Hollywood, Calif., by R. M. Schindler; Philip Johnson’s Glass House in New Canaan, Conn.; and Ludwig Mies van der Rohe’s Farnsworth House in Plano, Ill. — New York Times
Artists Brennan Gerard and Ryan Kelly's film Schindler/Glass uses three iconic modernist houses as the backdrop in which issues of gendered space and domestic intimacy are explored. The video piece is part of an ongoing series by the artists called “Modern Living". Shot... View full entry
Are you looking for an architecture job with a solid number of years under your belt? With enough experience to lead when necessary and the skills to navigate working under senior staff, intermediate-level staff is essential to the workflow of an office. This week we have rounded up some amazing... View full entry
Developer HFZ Capital gives us our first view of the amenities at Bjarke Ingels’ High Line-facing XI condo/hotel project. See renderings of the swanky amenity space located within the development’s skybridge. The double-height podium bridge, which connects the asymmetrical, twisting towers, will have a retractable movie screen, private wine tasting room, bar, and library. — 6sqft
Rendering by Dbox for HFZ CapitalRendering by Dbox for HFZ CapitalRendering by Dbox for HFZ CapitalRendering by Dbox for HFZ Capital View full entry
The architect behind 53 West 53rd wanted the tower to be synonymous with New York City, to be a building that couldn’t easily be slipped into another skyline.
“A worldwide catastrophe today is the number of buildings that are parachuted because they were preconceived. Offices, housing, shopping malls all look the same,” Jean Nouvel told The Real Deal, translated from French.
— The Real Deal
Mini video interview with 53W53 'MoMA Tower' architect Jean Nouvel, produced by The Real Deal. 53W53: Jean Nouvel's "New York" Building. Video via The Real Deal on YouTube.The 1,050-foot luxury tower topped out a few days ago and ranks now—along with Renzo Piano/FXFOWLE's New York Times... View full entry
Considered long overdue, a bid to award Glenn Murcutt with RIBA's prestigious Royal Gold Medal Award has garnered the support of a group of leading architects. The petition, which has been signed by almost 90 professionals, has esteemed colleagues such as Richard Rogers and Piers Taylor going to... View full entry
This Saturday, June 30, 2018 from 6:30-10pm the A+D Museum will unveil The Assembly. The Assembly is a new tradition; it is a gathering. This approach to exhibition openings is an expression of the museum's mission to join together a diverse group in celebration of different disciplines of design... View full entry
The coffee lid’s entire purpose is to prevent the loss of coffee due to movement of the cup, but it still must have a penetration to enable drinking.’ — NYT
Back in April, Sam Anderson highlighted a sentence from 'Coffee Lids: Peel, Pinch, Pucker, Puncture' (Princeton Architectural Press, 2018, Page 24), for the series New Sentences. Any Archinectors read the book? If so share your thoughts in the comments below. View full entry
Last week Archinect profiled Denver-Based Paul Andersen for a Small Studio Snapshot. Apple Chris liked what he read "nice interview...and a sense humor. the entire Pop paragraph is quotable". Five Rooms at the Landmark Gallery in the Chicago Cultural Center. Designed with Paul Preissner... View full entry
The Austrian branch of Penda reveals a residential high-rise for Tel Aviv defined by arches and cascading terraces. The design responds to the broad display of the city’s Bauhaus era and responds to the city's climate challenges rather than opting for another glass tower. Tel Aviv Arcades... View full entry
Ford sees his teaching as a way to counter the troubled history of urban planning in America. “We've decimated cities that were built by the hands of African Americans [...],” he says. “Those decisions are made by people outside of those communities. There are a limited amount of people at the table to advocate for our communities.”
“I'm letting kids know we have a history of building spaces and places,” Ford adds.
— Rolling Stone
Michael Ford began his mission to introduce the architecture profession to underrepresented youth through hip hop over a year ago. As times goes on, his Hip Hop Architecture Camp initiative is growing as he tours the U.S. This new Rolling Stone article looks into what the kids learn during... View full entry
Something of an outsider architect, Fujimoto has never worked for another practice, which perhaps explains his firmly original approach. “I was scared of being rejected,” he says. “And if I had gone to work for another architect, they might have overpowered me because I was so easily influenced.” — The Guardian
In this review of the new “Sou Fujimoto: Futures of the Future” exhibition opening tomorrow at the Japan House, London, The Guardian's Oliver Wainwright chats with the now-46-year-old Fujimoto about his career and work — like his long-time interest in testing the limits of privacy and... View full entry
The first [journal] came out in 2016 and focused on the countryside and the movement of borders. The most recent, the fourth, titled Dark Matter, is about the invisible and illegal aspects of migration. One feature Christoph shows is a photo essay by Javier Corso, documenting the petrol smuggling trade between Nigeria and Benin. — It's Nice That
Christoph Miller, a founder of Migrant — one of the journals we are proud to feature at the Archinect Outpost — provides insights into the origins and intentions of his journal as it reflects the culture and politics of 21st century migration. View full entry
