Something of an outsider architect, Fujimoto has never worked for another practice, which perhaps explains his firmly original approach. “I was scared of being rejected,” he says. “And if I had gone to work for another architect, they might have overpowered me because I was so easily influenced.” — The Guardian
In this review of the new “Sou Fujimoto: Futures of the Future” exhibition opening tomorrow at the Japan House, London, The Guardian's Oliver Wainwright chats with the now-46-year-old Fujimoto about his career and work — like his long-time interest in testing the limits of privacy and exposure, his 2013 Serpentine Pavilion that brought him into the global spotlight, those potato chips, and more.
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