It was built for stockbrokers and bankers in their thousand dollar suits to make million dollar deals, but for nearly two decades it has held the less impressive title of the world’s tallest squat. Welcome to the Centro Financiero Confinanzas, more commonly known as the Torre David (the Tower of David) in Caracas, Venezuela, an unfinished skyscraper which has now been colonised by an ad hoc community of over 700 families. — messynessychic.com

It’s a relief on the block, representing the diversity vital to healthy streets — not a perfect building, not even its architects’ best work. But its unembarrassed, luxuriant materiality, its small scale and vulnerability, all qualities that the Modern now seems to reject, belong no less than the glass tower to the messy story of Modernism and city life. — nytimes.com

Slowly it dawned on me that this was not a photograph of a real building but a total digital fabrication. I was shocked, not in a moralistic way but, rather, with amazement at the masterful deception and amused pique at being fooled. — Places Journal

As alumni living abroad in Berlin, we stand In solidarity with the students occupying the presidents office. We are moved by the actions of the occupying students, enraged by the actions of the Board of Trustees, President Bharucha, and former President Campbell. We are demonstrating outside of John Hejduk's Kreuzberg Tower to symbolize the legacy of Cooper Union and the global reach of free education. Long live Cooper Union, demand free education! — Free Cooper Union Facebook Page

Thursday, MoMA director Glenn D. Lowry sent a memo to MoMA's trustees and staff announcing the museum had retained Diller Scofidio + Renfro to "work with us to design a plan that will integrate the Museum's current building with the property of the American Folk Art Museum. . . . We readily agreed to consider a range of options, and look forward to seeing their results." — AM New York

AFTER impassioned protests from prominent architects, preservationists and design critics, the Museum of Modern Art said on Thursday that it would reconsider its decision to demolish its next-door neighbor, the former home of the American Folk Art Museum, to make room for an expansion. — nytimes.com

Gold and Silver Medalists of the 2013 Rudy Bruner Award for Urban Excellence have been announced this week, marking twenty-five years of honoring innovative urban placemaking. — bustler.net

“Part of the research I did for that game is I went around to Alcatraz in San Francisco because I wanted to have a level where you break into a prison,” Chris Delay, one of Introversion’s co-founders said in an interview.

“I started working on how to simulate a prison and how it was going to work. It was then that it occurred to me that building a prison was quite good fun, and that it shouldn’t be, but it is.” — business.financialpost.com

Iwan's photography always surprises me. It allows me to see my buildings with different eyes. His pictures always remind me how important the surroundings are... the context the building is in. - Toyo Ito — youtube.com

*This screed is awesomely entertaining and full of cool links, even though it’s almost entirely implausible..There’s also the occasional built-from-scratch Brasilia. So, some people might build a city like this in some central-planned, high-tech rush, before realizing that urban drones, bacteria, and 3DPrinters are fated to become as old-fashioned and pokey as swoopy, Space Age Brasilia is right now. - Bruce Sterling — Co.Exist. - Fast Company

A "snob zone" is a place that uses restrictive zoning in a residential area to keep certain types of housing -- and therefore people -- out, says Lisa Prevost. Prevost’s book, Snob Zones: Fear, Prejudice, and Real Estate, comes out today and focuses on several towns in the Northeast [...].

For instance, one zoning law considered by the town would require people to have a minimum lot size of four acres in the town. — marketplace.org

I’m very happy to see all the works on display, and we’re busier now than we were then. We’re looking at things that we’re doing in the future. I think it’s good to be able to share so much of the work we have done that people wouldn’t otherwise come in contact with it. The exhibitions are good in that respect. We have all this stuff. Why keep it in the office? Send it out. — Artinfo

What actions are prompted by revolution in the space of the city? Which publics take part in this struggle, and who are the agents that mobilize it? And after a revolution has subsided, how is it remembered, represented and memorialized? thresholds 41: REVOLUTION! turns to the history, design, and cultural production of the public realm as a site of dissensus... — thresholds.mit.edu