Bjarke Ingels Group’s Wildflower Studios has been given the green light for construction in Queens, New York. Designed for the Robert De Niro-led Wildflower Development Group, the new seven-story building will contain a vertical commercial film, television, and creative studio.
Located in Astoria, Queens adjacent to the manufacturing warehouse of the highly-prized Steinway Pianos, the 775,000-square-foot complex will contain 11 main stages, supported by production areas, open and private offices, a fitness room, cafes, and lounges. Externally, the five-acre former industrial plot will contain 310 off-street parking spaces and a waterfront public realm.
The stages within the building measure 18,000 square feet, with dimensions 150 feet long, 120 feet wide, and 60 feet high. Due to the site’s limited area but generous height allowances, the internal program has been arranged as a vertical film studio with two levels of sound stages, which the team believes to be a world-first.
The 11 studios are each part of a so-called studio module, each consisting of the stage, vertical transportation, and production support spaces such as scene shops and dressing rooms. The modules are arranged into two-story rows within the building, linked by a central spine.
Externally, the 145-foot-tall building will be clad in two-toned precast concrete panels. The pleated panels transition between sharp and curved corners, set at angles to create varying shadow effects as the angle of the sun changes throughout the day. Two open-air terraces puncture through the façade to form connections to the waterfront, while the building’s roof will include 150,000 square feet of solar panels. At the base, meanwhile, the building is lifted out of its flood plain to allow parking underneath the studio.
“The vertical media production village will be home to storytellers working across all mediums — a three-dimensional hub of collaboration, creativity, and innovation,” said Bjarke Ingels. “While New York City is no stranger to being the star of many visual stories — the city effectively a character in itself — this first ground-up vertical production stage complex marks a new chapter in the city’s ability to create the stories of our future.”
Construction of the scheme is expected to begin in 2023 having recently received $600 million in construction funding.
News of the scheme comes one month after BIG was shortlisted for a competition to reimagine the Barbican Center in London. The company’s founder, Bjarke Ingels, has also recently unveiled details of Nabr, a “people-first housing company” which he co-founded with the ambition of “putting more people on a path to owning a high-quality, environmentally-friendly home in the city.”
9 Comments
This... is not a good facade... Any attempt at being friendly to the urban condition? Relating to the human scale? BIG has and can do better than this.
Urban condition here is almost nil. In addition to being next to a piano factory, it borders a smelly creek and a power plant. Not saying the facade is great, but probably more people will see it from planes taking off and landing at LGA than at street level...though maybe that will change once the building is done and the water is cleaned up as part of the project.
If the rational for a bad facade is a bad context, we are all damned. The idea should be that places can also improve, even if crap today.
“Eh, it’s Queens”. Design concept.
Actually, the building is already under construction. It's not far from where I live so I went by in November last year and noticed some early progress on it — the foundations, at least.
The two tone precast panels look dead cheap - like the metal panels you see in garages. This is surprisingly uninspired, even formally, by BIG standards. Did de Niro ask to water the design down?
I've never understood the allure of BIG and this BIG ugly box helps underscore why. I realize it's a sound stage, which is basically an inside with no outside, but this would be a bad second year undergraduate project. I honestly don't understand why they keep getting commissions. Perhaps they charge by the hour as this looks as if it was done over a weekend.
Appears to be designed to jump the shark.
Philip Johnson & John Burgee did it better.
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