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Marcelo Gardinetti

tecnne | arquitectura y contextos

  • Richard Rogers' Zip-Up House

    Marcelo Gardinetti
    Aug 29, '24 4:48 PM EST

    Richard Rogers' Zip-Up House is an innovative housing concept that sets the standard for sustainable and efficient living. Designed between 1967 and 1969 in response to a competition for innovation in domestic architecture, the Zip-Up House and its subsequent development, Zip-Up 2, represented Rogers' first speculative exploration of the possibilities of modern housing. Although never built, these projects served as a model for the house Rogers built for his parents in Wimbledon.

    The design of the Zip-Up House responded to the need for new affordable housing in densely populated urban areas. Rogers sought to create compact, functional living spaces that maximised the use of available land. Inspired by Charles and Ray Eames' house in California (1949), which was designed as a kit of prefabricated parts, Rogers used panels originally intended for refrigerated trucks and windows manufactured for the automotive industry. These elements, sealed with neoprene zips, provide excellent thermal insulation.

    Completely prefabricated, the Zip-Up House allows for fast and economical construction with excellent energy efficiency. The components are easy to transport and assemble on site, and the modular design facilitates expansion by adding modules. The interior, with no fixed structural walls, can be adapted to the needs of the occupants, encouraging personalisation and reconfiguration of the space.

    A highlight of the Zip-Up House is its ability to minimise running costs. The structural panels used provide seven times the insulation value of a traditional 1970s house. This allows a three-bedroom house to be efficiently heated from a single heat source, resulting in economical energy consumption.

    The Zip-Up House represents a significant departure from traditional construction methods. By exploring new design possibilities and using systematised materials, Richard Rogers has created a sustainable and adaptable home. With this proposal, Rogers redefines the concept of affordable housing and offers an innovative model for sustainable and efficient living. The Zip-Up House is presented as a creative response to the urban housing crisis, combining flexibility, efficiency and respect for the environment.

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  • Roman Colosseum

    Marcelo Gardinetti
    Oct 21, '23 12:16 PM EST

    The Roman Colosseum, built in the 1st century AD, is one of the iconic monuments of ancient Rome. It was designed to host public events such as gladiatorial contests, mock naval battles and theatrical performances. With a capacity of between 50,000 and 80,000 people, its monumentality is reflected... View full entry



  • Festina Lente

    Marcelo Gardinetti
    Sep 19, '23 11:35 AM EST

    Festina Lente, Adnan Alagic, Bojan Kanlić y Amila Hrustic Festina Lente is a Latin expression that gives its name to this bridge over the Miljacka River in the city of Sarajevo. It means 'to hurry slowly' and suggests proceeding with a sense of urgency, but also with careful and deliberate... View full entry



  • Le Corbusier Curutchet House: the beginnings

    Marcelo Gardinetti
    Sep 14, '23 5:44 PM EST

    Doctor Pedro Curutchet wrote to an architect living in the city of Buenos Aires to design his future home/office, but the architect did not respond to his request. The architect's lack of interest and his desire to create a work that would incorporate the spatial qualities of the unique enclave... View full entry



  • Kazimir Malevich, supremacy of sensibility

    Marcelo Gardinetti
    Sep 14, '23 11:49 AM EST

    After passing through Impressionism and the figurative arts, Kazimir Malevich set out in search of a new representation of pictorial art, far removed from any historical reference. Influenced by the geometric fragmentation of Cubism and the dynamics of the image proposed by Futurism, Malevich... View full entry



  • Eye Bank Foundation, Emilio Ambasz

    Marcelo Gardinetti
    Aug 26, '23 4:37 PM EST

    Banca degli occhi foundation The Fondazione Banca degli Occhi carries out various activities related to eye research and transplantation. The 5,000 square metre medical centre houses surgical facilities, stem cell research laboratories, an eye treatment centre, the EIDON Foundation's educational... View full entry



  • Herzog & de Meuron Elbphilharmonie

    Marcelo Gardinetti
    Aug 19, '23 4:04 PM EST

    Una característica llamativa de la arquitectura de la nueva Filarmónica de Elba es la fusión de dos edificios atemporales. El antiguo edificio, originalmente destinado a almacén, ha sido reforzado, sin desconocer que su mala calidad constructiva podría dar lugar a su demolición. La nueva... View full entry



  • Marcel Breuer, Ariston Club

    Marcelo Gardinetti
    Apr 17, '23 12:24 PM EST

    En 1947, el arquitecto húngaro Marcel Breuer visitó Argentina invitado por la Universidad de Buenos Aires. Su estadía apareció ocho semanas, durante las cuales el maestro de la Bauhaus dictó un curso de arquitectura y diseño y participó en un proyecto de urbanización con estudiantes de la... View full entry



  • Coop Himmelblau, the explosion of the functionalist box

    Marcelo Gardinetti
    Sep 15, '21 6:36 PM EST

    A principios de 1990, Frans Haks, director del Museo Groninger, le pidió a Alessandro Mendini que diseñara la ampliación del museo en el canal en el borde del sitio del edificio histórico. Mendini podrá atomizar el programa en tres partes, con el fin de diluir el impacto del edificio en su... View full entry



  • The distensions of space in Zaha Hadid

    Marcelo Gardinetti
    Sep 15, '21 6:22 PM EST

    En términos de investigación metodológica, el trabajo inicial de Zaha Hadid fue el más fructífero. En ellos explora y reformula búsquedas de las vanguardias de principios del siglo XX abortadas por las condiciones políticas de esos años. Las raíces genéticas de estos trabajos se... View full entry



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About this Blog

Entendemos la arquitectura como un hecho cultural que se expresa mediante operaciones de representación formal. Por tal motivo, encarna un tipo de producción que no necesariamente requiere de la técnica constructiva, sino que expresa su intención a través de ideas y símbolos.

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