How to Read a Croissant / Unfolding Spatial Violence III of III In part I of this three part series  “How to Read a Croissant / unfolding spatial violence,” I related Enric Miralles’ architectural layout of a croissant to the legibility of genocide in the Israeli forces’ seemingly... View full entry

[This is an excerpt from a forthcoming article to be published later this year in Yale Perspecta #50]This study of water in Detroit and its intersection of racialized geographies of inner city and suburban sprawl uncovers parallels between water infrastructure and transportation planning as... View full entry

NO ONE CARES ABOUT AMERICA’S STUPID ARCHITECTURE PROBLEMSThe United States is accustomed to being the center of global networks in pretty much any field: film, finance, the art-world, pop music, development economics, tech start-ups, military strategy, and much more.  Architecture, though, is... View full entry

Detroit is now my home city, so I am thrilled that next year's U.S. Pavilion at the Venice Biennale will be dedicated to exploring the intersection of Detroit and architectural imagination.  As excited as I am that The Taubman College of Architecture and Urban Planning at the University of... View full entry

House Opera video

One of the principles that guides my approach to architecture and urban design is the sense that architecture has much more to offer than luxury.  Whether you consider our field professionally in comparison to doctors and lawyers, or as a discipline comparable to art, we have a lot of room to be... View full entry

Keller Easterling is an internationally-recognized architect and theorist working on issues of urbanism, architecture, and organization in relation to the phenomena commonly defined as globalization. Her latest book, Subtraction, is published by Sternberg Press.  Easterling is a Professor of... View full entry

Inspired by the flexibility of uses for houses in Detroit, in proximity to the major cultural institutions for opera and diverse forms of performance, this project stages an opera as a house, the house and its dramas of occupancy and vacancy, demolition, and re-purposing, as an... View full entry