Archinect - Another Architecture

How to Read a Croissant / Unfolding Spatial Violence III of III

2024-05-24T15:16:00-04:00

How to Read a Croissant / Unfolding Spatial Violence III of III

In part I of this three part series “How to Read a Croissant / unfolding spatial violence,” I related Enric Miralles’ architectural layout of a croissant to the legibility of genocide in the Israeli forces’ seemingly arbitrary blockade of croissants into Gaza. Part II relates the croissant blockade to the denial of Palestinian humanity and locates the university as a place to disrupt this misrecognition of human kinship.

In this third part I will continue to reference the croissant as a site of data models, reading models of data capture and prediction through the croissant. From the croissant-scale, I invite you to read multiple modes of data capture at work in the spatial matrix of the occupation-as-starvation and its material logics. This spatial matrix includes house demolitions, zoning, crop destruction, the US Embassy, settler houses in Greater Jerusalem, and the limestone that constructs a continuity between t...

How to Read a Croissant / Unfolding Spatial Violence II

2024-05-08T16:40:00-04:00

A croissant, in some instances, becomes a logistical issue– even one of global import.

Part II of III

In Gaza right now, humanitarian aid and calibrated mass starvation are not competing agendas, but one coordinated matrix of genocide. In the first part of this writing I read the logistics of this occupation-as-starvation through a close reading of croissants. In this second part, I turn to reading as an act. Through the urgency of this moment, especially on campuses, a mode of reading emerges that refuses the old Enlightenment mind-body split. In the third part I will return to the croissant and what it makes legible about the matrix of control innovated around Gaza. The coordinated matrix of control requires highly calibrated material and spatial protocols, which also require multiple data paradigms.

The blockaded croissants of April 8th reveal a calculated will to starve over a million residents of Gaza. Nine days before the April 8th delivery of aid-as-starvation, Neve ...

How to Read a Croissant / Unfolding Spatial Violence

2024-05-02T13:51:00-04:00

A croissant, in some instances, becomes a logistical issue– even one of global import.

Part I of III

On April 8th, less than a week after Israeli airstrikes assassinated 7 World Central Kitchen aid workers, the Israeli authority that manages the border between Egypt and Gaza inspected and released 322 trucks of aid into Gaza. According to UNRWA, it would require 500 trucks of aid for the population of Gaza to avoid starvation. This is part of what occupation means– managing goods across a border without answering to any civilian authority of the people encircled by such a border. Within the framework of occupation, the distinction between bureaucratic delays and willful starvation can be opaque or negligible.

President Biden met with Prime Minister Netanyahu on April 4th, two days after the attack on the World Central Kitchen vans. According to the White House readout, in this meeting, “President Biden emphasized that the strikes on humanitarian workers and the overall hum...

Are you from West Virginia?

2021-10-16T16:04:31-04:00

My grandmother was born in West Virginia. She died last year (not of covid?) almost 100 years old, after many decades of retirement life in Columbus Georgia, a place for comfortable military widows, which she was, in her way. She retired from being a Washingtonian.

Becoming a Washingtonian was, itself, a career. She earned some kind of recruitment to work in the US Treasury (as a typist?) by being valedictorian of her (must have been all Black) high school in West Virginia.

I didn't know much about her childhood in West Virginia until she was so old that people could talk about her. Her mother died when she was 5. Her early memories of her mother were mostly cleaning alongside her. As a pseudo-orphan in the late 1920s she (lived and?) worked in a restaurant run by one of her father's new girlfriends. This, I now vaguely understand, was so terrible that no one can say anything about it.

She left West Virginia because it was not a place that allowed her to be a child. She left...

Transitions of Power

2020-09-23T23:04:04-04:00

This is not an architectural thought, particularly. I am writing in regards to the question of democracy and the peaceful transition of power, what it means to have that threatened as it is tonight. https://www.msnbc.com/the-reid...

In the mid-1990s I accidentally worked at a right-wing think tank for two or three weeks. It was a summer job that I stayed in for as long as it took for me to figure out that 'non-partisan research institute' didn't mean anything, but also just long enough to get one paycheck. I might as well share-- it was American Enterprise Institute.

While I was there I would lurk around the fax machine to see what was being discussed across offices. There were exchanges about burying welfare aid in requirements for work and drug testing. This was one of the efforts that became successful. But there was also fax machine chatter about efforts that never became well known. One of them was an outline for legislation to ban rap music. Ban an entire artform ...

On the White House Rose Garden “Renovation”

2020-08-27T20:16:00-04:00

(Photo from July 26th New York Times)

The project is presented as a “renovation.” It is presented not in terms of a project brief, a program, or any goals related to a national agenda. (The last garden change tied explicitly to a national agenda, of course, being Michelle Obama’s vegetable garden.) Instead, there is a Before and After set of photographs and a time-span. No landscape architect is mentioned, though the landscape architect who designed this, Perry Guillot, published a book on shrubs in the Hamptons. He is nationally recognized only because the Hamptons are nationally recognized-- as a place of intensely concentrated wealth, a place of secluded mansions frequented by high-net-worth visitors from New York City, up and down the east coast and beyond. The mansions of the Hamptons are secluded from each other by landscaping, specifically shrubs and trees.

So, the design expertise marshaled here is an invocation of the metonym of secluded wealth (the Hamptons) ...

Stay Black and Die: A Possible Ethos for Architecture

2020-07-25T22:08:00-04:00

[This post consists of long excerpts from a text that got published by Infinite Mile in Detroit a few months before the 2016 election, a text which was quickly forgotten by the few people who read it, including myself.]

"Years before I had understood that all I had to do, really had to do, was stay black and die. Nothing could be more interesting than the first, or more permanent than the latter."

(1957) Billie looked up from her drink and said, “Speak for yourself. All I got to do is stay black and die.”

All I got to do is stay black and die

This statement has been repeated as something of a mantra, whisper, slogan or one-line autobiography within Black America for over half a century. Google will direct to you a Morgan Freeman line in 1989’s “Lean on Me.” But Maya Angelou’s 1981 autobiography (The Heart of a Woman) describes an encounter with Billie Holiday using the phrase in 1957. Today, the phrase is emblazoned across T-shirts and merchandise.

What does it do to put ‘sta...

Stop Wasting Our Time

2020-06-24T21:22:00-04:00

This post is in some ways inspired by the bold move that artist Shantell Martin made a few weeks ago to expose the crass ways that marketing entities sought to turn Blackness into a quick response, a cheap way to be 'relevant.'

There are not many of us Black folks in architecture, landscape architecture and urban planning. We are busy. Especially now.

Early in June I got a request from Architects Newspaper to do an interview for a feature in their print paper. After 3 weeks of back and forth, in which I even encouraged the editor to take another stab at putting questions together, Architects Newspaper now says the content will appear in bits and pieces as web content. I would not have wasted my time.

Here below, in advance, is the interview. Stop wasting our time. Get serious or go back to what you are already doing-- ie ignoring us and, you know, objectively re-framing Confederate monuments.

What tactics do you use when engaging with someone who says that systemic racism ...

Thoughts on Juneteenth: The Paradox of Pausing

2020-06-19T16:52:00-04:00

Like many others, within a few groups of Black architects and urban designers, I have been processing this moment and what it might demand from the fields of architecture and urbanism. A paradox is becoming evident. In this rapidly changing reality, there are many pressures for speed. We have seen a number of professional chapters of practicing architects around the country respond to the protests and uprisings for Black lives. Often response is within days of a news cycle in that city or region. The calls from professional architecture chapters speak of rapidity in the re-building, the designing, the planning and design assistance, to quickly repair and restore and reconstitute any street fronts or buildings seen to be damaged. Simultaneously, with the call to de-fund police departments, resources may be arriving swiftly to places and organizations that did not previously have access to such civic resources.

It is paradoxical in the midst of all this rapidity to look for oppo...

Interracial Dancing and Use-Based Zoning

2019-10-29T20:20:59-04:00

Note: This is an excerpt from a 2015 article that I am updating to reflect that the cabaret law was finally over-turned in New York City in November 2017. I am posting it after presenting an 8 minute talk related to this subject for the Urban Design Forum.

In the summer of 2001 I visited New York City from San Francisco and dropped in on an East Village lesbian night at Starlight. It was probably Sunday. I know it was the spring or summer of 2001 because neither
Bloomberg nor 9/11 had happened yet.

The place had a lounge in the rear with a DJ and sometimes a flutist, a bar and coat-check in the front. It got crowded. I was dancing near the front bar, close to the coat-check when the coat-check woman looked at me, and said “Please don’t dance.” I said “What?” She pointed to a sign on the wall to her left. It said “No dancing.” I stared at her in disbelief. “How does anyone even define dancing,” I asked? “How does anyone know the difference between me dancing versus walking and gest...

Abolish ICE

2019-06-25T00:10:28-04:00

The Department of Homeland Security's Inspector General has found "dangerous overcrowding" and unsanitary conditions at an El Paso, Texas, Border Patrol processing facility following an unannounced inspection, according to a new report.

Watchdog finds detainees 'standing on toilets' for breathing room at border facility holding 900 people in space meant for 125

Text cited in the drawings sourced from CNN via https://www.cnn.com/2019/05/31...

Text excerpted below is from ICE via https://www.ice.gov/doclib/dro...

EL Paso Field Office
El Paso Processing Center
Enforcement and Removal Operations Leadership
Field Office Director: Adrian P. Macias
Assistant Field Office Director (Detention): Frances M. Jackson
Assistant Field Office Director (Detained Case Management): Frances M. Jackson
Facility Main Telephone Line: (915) 225-1901
Field Office Main Telephone Line: (915) ...

What we allow ourselves to know

2017-12-27T14:34:00-05:00

This is more of a musing that a full post.

I've been thinking more aggressively these past months about what we allow ourselves to know in the discipline. Because a discipline doesn't just deliver unending knowledge or create knowledge out of nothing. It defines what is relevant, it collects and groups skills, delivers terms to make some things known at a refined and transferable level that not every thing can live up to.

How much of the practices that we consider to be economical or common sense or simply ‘practice’ are ways of covering up-- even destroying-- what we don’t know? For instance, how much is demolished because it is too difficult or too expensive to survey, draw, record, measure? And how much of that difficulty, even impossibility, is a function of how we are defining our discipline, not what we-- as thinking, knowing people in the world-- even consider to be difficult or possible?

Profound Modernity in Mexico City

2017-10-31T22:51:00-04:00

Below is an excerpt from Profound Modernity, my essay on the design of dry ground in Mexico City and its image of modernity. See e-flux for the full text.

http://www.e-flux.com/architec...

Maintenance is a drag; it takes all the fucking time…
—Mierle Laderman Ukeles

This article is not about the damage of the 2017 Central Mexico earthquake, but about the ground it shook. It is about how an imagination of a city above ground can travel from one place to another, and how that traveling can lead to a centuries-long demand to reshape territory. As a specific urban morphology, Mexico City can be defined as much by built structures and land-masses as by processes of democratic governance and histories of development. The extensive reshaping of what lies beneath our feet—sidewalks, streets, and building foundations—that modernity demands from urbanism is related not only to rational engineering but to speculation, image, the collapse of great distances, and the suppression—the literal bury...

Drawing bombs

2017-07-24T01:05:00-04:00

This drawing by Ludwig Hilberseimer has been fascinating me recently. Most architects with any interest in urban planning in the USA know the story of RAND corporation doing post-World War II consulting on the dispersal of the American city. The assumption was that the kind of weapons deployed in WWII constituted implicit threats to American cities, as nodes of infrastructure and economy significant to the entire country. NYC for finance, DC for governance, Chicago for goods, etc. The defensive solution was to disperse American economy and institutions as much as possible.

It all sounds like post-rationalization for the subsidy of the segregated post-WWII suburb.

But this Hilberseimer drawing defines the terms of the argument so well. The archival title of the drawing is "Effect of H-Bomb on the size & distribution of cities ." The drawing demarcates blast range, freshwater resource, the territory of major cities as hatched areas. The potential of the gridded dots dominates th...

Notes on time travel

2017-04-16T14:06:00-04:00

This musing on time travel comes from notes that I jotted down in February of this year. With the beginning of the illegitimate real estate developer presidency, my only way of making sense of this moment in America was to think of travelling back in time (What if Comey hadn't done that, What if those of us in Detroit had dedicated ourselves more to getting out the vote? etc).

Also, I am interested in the limits of what might be relevant to architecture and possibly disciplined by architecture as a practice or way of thinking.

Time travel becomes possible, and even vaguely within the realm of architecture, when we consider time as a series of material states. Planets move, cells divide, bodies respirate. These things occur in intervals. Everything moves-- at some scale or in some condition. Stasis demands excessive control. Time happens through the repeated patterns of matter. Planets don't just move, they orbit. Bodies respirate until they don't, then they die. In that order....

We Are Not Innocent

2017-03-23T19:16:00-04:00

Back in December I posted an entry about the White Flight from American Democracy, where I predicted that this new President wouldn't be using the White House and the L'Enfant Plan the way it was designed. Rather:

The axes of legislative authority and executive power must be extended dramatically -- to connect through Trump Tower in Manhattan and the Trump Hotel on Pennsylvania Avenue. The resulting plan is not read through a figure of landscape that it demarcates, but through the procession of motorcades and private jets. It starts to reconfigure a private real estate empire into a nodal map of American political power.

This was before "winter White House" had become a phrase or military operations were planned over dinner at a private country club in Florida.

In this post, I just want to say briefly -- and this may be controversial -- that our discipline is not innocent. We watched, over the past few decades, the discipline of architecture veer off into luxury formalism for aut...

Geometry doesn't have to be white - on Descartes, Baldwin, and grids

2017-02-20T13:39:00-05:00

http://mcewenstudio.com/web/vmm-on-whiteness-descartes-and-grids/

Here's a mini-podcast on Descartes, whiteness, and grids. Let's liberate geometry from empire. Especially in honor of today's American holiday.

Watercraft - on Detroit's subsidy to its suburbs & slum clearance by infrastructure pricing

2017-02-15T18:41:00-05:00

[This is an excerpt from a forthcoming article to be published later this year in Yale Perspecta #50]

This study of water in Detroit and its intersection of racialized geographies of inner city and suburban sprawl uncovers parallels between water infrastructure and transportation planning as expensive enablers of white flight to the American suburb. As we face an era in which access to water will be increasingly important—due to rising flood levels, increased storm events, and the aging of early industrial infrastructure, among other issues—analyzing the infrastructure of urban water becomes critical for locating the spatial protocols of urban divides today.

Keller Easterling’s notion of extrastatecraft becomes especially useful in understanding the regional water system as “infrastructure space”—ie something shaped by geology, urban form, socioeconomics, and policy. In the crafting of water resources and policy, there is no neutral ground. As Easterling notes, “The aggressions within...

A Short Piece of Fiction on the Aesthetics of Nuclear Fallout

2017-02-05T21:05:00-05:00

[I wrote this at the end of the summer, as I was mulling over certain relationships between aesthetics and warfare and image-making. At the time I was thinking of it as a sort of historical line of research I wanted to do.... Now it feels related to many weird and horrifying things, including this wonderful article in the New Yorker on the atomic origins of climate science. You can sense in the fight for continued nuclear arms, the struggle to suppress science, a passion that is more than greed or pragmatics.]

The footage of the cloud became known as a mushroom. It was from watching the cloud puff itself up in the sky and burst over and over again in the tones of gray on the film, watching this gave it the name. Mushroom cloud. Before this footage it didn't have a name.

Only select, highly classified, mission-critical men got to attend the testings. To see the test live - its billowing and recursive fluffiness, its breaking open of the sky, turning the world inside out in...

Interview w/ Sampsonia Way of Pittsburgh-- reparations, algorithms, autonomy and Black American poetics, gentrification, and other topics

2017-01-12T19:04:00-05:00

The full interview is here - http://www.sampsoniaway.org/interviews/2017/01/12/recognizing-hungers-that-are-already-there-a-conversation-with-architect-mitch-mcewen/

Interview by Leah Wulfman / January 12, 2017 Excerpts below:

LW: You are opening up and engaging architecture outside of the discipline’s established protocols and rarefied means of practice. How do you reach out to individuals and communities that aren’t typically reached with traditional architecture practice and working methodologies? How is your engagement with open source architectural platforms and parametrics a part of this agenda?

MM: I actually am a bit skeptical about working directly with a community. We are trained to operate in a disciplinary way; there’s a techne. So, I’m skeptical of the pretense that we can walk into a room with people that have never done any architecture or urban planning and immediately have everybody get to work. The “This Is What We Will Build When We Get Our Reparations” chare...

The White Flight from American Democracy

2016-12-27T16:26:00-05:00

"The city in L'Enfant's Washington is really new nature. The models derived from the Europe of absolutism and despotism are now expropriated by the capital of democratic institutions, and translated into a social dimension certainly unknown at the Versailles of Louis XIV."

-Manfredo Tafuri, Architecture and Utopia: Design and Capitalist Development, Reason's Adventures, p32

When I grew up in Washington DC in the 1980s it was the Blackest the nation's Capitol has ever been. White flight had been an ongoing process for so long that the traces of a white majority city were hard to find or, for me, even imagine. Elders had to explain to me the ways in which the city used to be majority white, beyond the confines of Capitol Hill and Georgetown, and heavily segregated. For me the District was a wide open place where my mother took taxis to meet with clients all over the city, sometimes taking me along. Her legal office was up a few flights in a commercial building in Chinatown. In the...

Another Review of the 15th Venice Architecture Biennale / Insider’s Perspective from the US Pavilion

2016-07-01T12:46:00-04:00

NO ONE CARES ABOUT AMERICA’S STUPID ARCHITECTURE PROBLEMS

The United States is accustomed to being the center of global networks in pretty much any field: film, finance, the art-world, pop music, development economics, tech start-ups, military strategy, and much more. Architecture, though, is an exception. Let’s face it: in terms of USA’s global significance, contemporary architecture is the creative equivalent of soccer. Europe and South America dominate the scene, with the US trying to hold on to some relevance on the world-stage. (Perhaps if architecture were divided by gender the US women’s architecture team would also be world champions – but that’s another discussion.)

Team USA graphic by author. Taking the global-practice-as-soccer analogy a step too far….

Beyond any half-hearted nationalism, this semi-peripheral global status means that those of us theorizing and discussing contemporary architecture with the public in this country have a special responsibility. Because we...

Teaching Representation versus Fabrication

2016-04-10T20:29:00-04:00

What is the relationship between representation and fabrication today, between drawing and building, or thinking and making? When are we building indications of a process or an idea, representing something, and when are we building the actual thing? If we no longer have to represent in order to fabricate, are we now fabricating in order to represent?

This undergrad class that Taubman College let me craft from scratch with co-faculty Malcolm McCullough has been a fun place to muse on these questions with talented students. Enjoy the course-blog, its still going for another week or so. http://repvsfab.tumblr.com/

Miami Beach (a semi-private party that might continue above the flood)

2016-01-10T17:23:00-05:00

Last month I visited Miami and witnessed the carting away of Art Basel. On the Sunday evening that Art Basel wraps up, as well as the morning after, Miami Beach looks like a truck stop ran into the ocean. Tents are being dismantled, beach signage points to furniture that's no longer there, and trucks park alongside each other row by row to haul off containers with global art exhibits stuffed inside.

Visiting Miami, a few questions feel urgent-- not only to understand this unique totally weird international city, but to unpack paradoxes that feel relevant around the world.

- How is it that temporary one week festivals (Art Basel, Winter Music Conference, etc) can define so much of Miami Beach?

- How is it that luxury development occurs rampantly in the midst of long-term flood crises?

- What position does architecture take in relation to these two scales of time - the pop-up city of the 1 week festivals and the probabilistic crisis of 100 year flood management?

Over the last decade, fr...

Detroit Detroit Detroit

2015-06-19T02:17:00-04:00

Detroit is now my home city, so I am thrilled that next year's U.S. Pavilion at the Venice Biennale will be dedicated to exploring the intersection of Detroit and architectural imagination. As excited as I am that The Taubman College of Architecture and Urban Planning at the University of Michigan will be the U.S. Pavilion producer and organizer, I cannot say that I have any inside information on how that theme will be explored. I hope that it will encompass both under-appreciated architectural histories - for example, the amazing built work of Minoru Yamasaki here, the mega-structure of towers-on-a-plinth that is Portman's Renaissance Center, the plethora of early 20th century worker's housing - as well as subversive and imaginative projective futures.

On the occasion of this announcement I am also inspired to share some urban-scale research that I have been mulling over for the past few months. National media often addresses Detroit's expanses of vacancy and abandonment. This p...

Interviewing a sociologist about equality, neighborhoods, and everyday people

2015-03-23T17:12:00-04:00

Assistant Professor of Sociology at University of Southern California, Veronica Terriquez received her Ph.D. in sociology from UCLA. Her research focuses on educational inequality, immigrant integration, and organized labor. Her work is linked to education justice and immigrant rights organizing efforts in California. Dr. Terriquez has also worked as a community organizer on school reform and other grassroots campaigns.

[This is the 2nd in a series of interviews with non-architects about subjects discussed in architecture. The 1st was with French scholar Mahalia Gayle on style, sexiness, and power.]

Mitch McEwen: How do you do your research?

Veronica Terriquez: Much of my research seeks to understand issues of social inequality and inform initiatives that aim to promote equity. In answering relevant empirical questions, I often partner with community groups that address some kind of social injustice. My actual empirical research tends to use original or published survey data to ident...

I Can't Breathe = You Can't Dance

2015-01-19T17:13:00-05:00

Thank you Archinect Sessions podcast for featuring me on the first podcast of 2015. It looks like with everything happening in December I missed a chance to post here on Another Architecture. Let's catch up.

Mimi Zeiger wrote a great opinion piece for Dezeen last month asking why architects have remained silent during Ferguson protests. She quotes me toward the end of the piece saying: Architects and urban designers can take the #BlackLivesMatter campaign as an opportunity to look deeply into the ways that the tools of the discipline have been defined through attempts to erase black people from American cities. I don't mean 'in conjunction with', but actually the tools of the discipline emerging through the very acts of controlling, erasing, and displacing black bodies.

This is not work that black architects and urban designers can do alone, anymore than work on climate change can be left to only those living in threatened coastal areas. I am looking forward to participating ...

90's Throwback: Rem + Mies

2014-11-23T16:05:00-05:00

Posting this much about Mies makes me feel like this blog is circling back to where it started two years ago, when I posted about Modernity and Ideology from my studio in Germany. Somehow this recent time in the MidWest, transitioning from Brooklyn to Detroit, does remind me of settling into Stuttgart two falls ago. Stuttgart, like Detroit, has an overly defined downtown, an urban center that makes the language of 'destination' seem justified. Both cities also hold a rightful claim to global automotive history with giant complexes to show for it (The Renaissance Center in Detroit, Porsche and Mercedes museums in Stuttgart).

But it's really Mies that connects both for me. In Stuttgart I returned again and again to the Weißenhofsiedlung, not so much for Mies' building there but for the complex as a whole, the notion of a neighborhood and full-scale built work as exhibition. This, of course, is not only Mies' work, but his collaborative project with Lilly Reich, also design partne...

Affording Mies

2014-11-04T13:02:00-05:00

One of the principles that guides my approach to architecture and urban design is the sense that architecture has much more to offer than luxury. Whether you consider our field professionally in comparison to doctors and lawyers, or as a discipline comparable to art, we have a lot of room to be inspired toward serving a broad range of people. I often feel like, if we were doctors, we would be all striving to be plastic surgeons and taught by plastic surgeons, and no one would be working on cardiology or general medicine or anything close to public health (except for epidemiology - we are good at crisis) .

This is part of what makes living in Lafayette Park an everyday education. While totally problematic in its planning - typical mid-20th century "slum clearance" that erased a vibrant mixed use black neighborhood - the landscaping and towers and townhomes were designed for mixed income inhabitants. Coming from New York City, it is amazing to see modernist architecture - forget i...

Interview with Keller Easterling about Subtraction

2014-08-26T19:07:00-04:00

Keller Easterling is an internationally-recognized architect and theorist working on issues of urbanism, architecture, and organization in relation to the phenomena commonly defined as globalization. Her latest book, Subtraction, is published by Sternberg Press. Easterling is a Professor of Architecture at Yale University.

Mitch McEwen: Should we jump into the Subtraction?

Keller Easterling: Sure. I confess, I don’t have any prepared answers

MM: Should we start with Detroit? Detroit, just in terms of how it operates, in the book?

KE: The rust-belt cities, shrinking cities have been shrinking for as much time as they have been growing. These are fascinating to the Subtraction project because the failure is so spectacular that something almost magical happens, where all of the kind of trafficked mortgage products stop being trafficked mortgage products and turn back into heavy landscapes and houses again. Things back in a gravitational field, things made of material, things that have ta...