SelgasCano of Madrid will be designing the fifteenth Serpentine Galleries Pavilion in London's Kensington Gardens. For the past 15 years, the Serpentine Galleries has invited architects like Sou Fujimoto, Jean Nouvel, Herzog & de Meuron with Ai Wei Wei, Peter Zumthor, SANAA, Zaha Hadid, and most recently Smiljan Radic to design the temporary outdoor structure, which continues to be an anticipated summer event every year. — bustler.net

The first images of Bjarke Ingels Group's public square [officially titled Malaysia Square] for the £8 billion Battersea Power Station redevelopment in London have been revealed just a few weeks after BIG was appointed as the competition-winning designer. The public square, which will be BIG's first U.K. project, is only a part of the Battersea Power Station's redevelopment plan. — bustler.net

[...] British architect Sir David Chipperfield has said that he regards private investment’s hold over new architecture in London as an “absolutely terrible” means of building a city.

In Berlin, where he employs an office of 90, “there is still an idea of the public realm. We have given that up in London. We have declared the public realm dead; the question is how to get stuff out of the private sector. We are unbelievably sophisticated at that.” — theguardian.com

Landscape architect Kathryn Gustafson of Seattle-based Gustafson Guthrie Nichol and London's Gustafson Porter recently received the eighth annual Obayashi Prize in Tokyo. Established by the Obayashi Foundation, the prize is awarded to a recipient whose work is in tune with the Foundation's mission of supporting interdisciplinary design research in relation to cities and urbanism. — bustler.net

A newly completed 125 ft high mural painted by Stik on a condemned council owned tower block in Acton, West London is the tallest street artwork in the UK.

The artwork depicts a mother and child looking forlornly from their condemned council block at the luxury apartment complexes being built around them. [...]

Charles Hocking House was built for low income families in 1967 and is earmarked to be torn down in 2016. — streetartnews.net

[...] the bridge will be closed at night, won't allow entry to cyclists or groups of 8 or more without prior booking, and will ocassionally be closed off for fundraising events. Right. So less a public bridge than a privately-managed tourist attraction, then. [...]

The east of London, on the other hand, could actually use another crossing, with or without limits to access — citymetric.com

“I am excited by being an architect now,” she says. “We are in a world where ideas are shared and migrate. There is no going back, so let’s go beyond. Let’s look at what really are the differences between, for example, two housing projects that both have curved balconies. Architecture makes a difference. Let’s discuss what difference it makes.” — theguardian.com

BIG is about to make its debut in the UK. The Architects' Journal reported that the Danish firm was selected in an international competition to design the public square in the £8 billion redevelopment of the historic Battersea Power Station, a decommissioned coal-fired power station in southwest London. A formal announcement is yet to be made. — bustler.net

No-one was injured but an area around the 47-storey Leadenhall Building in the city has been cordoned off.

It fell from the fifth floor to the ground at the side of the building - another bolt also broke off but was contained within the skyscraper.

It is understood the bolts are about the size of an arm and the piece that fell was about the size of a hand. — bbc.com

Thirty years ago, the Italian photographer Luigi Ghirri complained that pictures of well-known buildings were often as conventional and flat as mediocre still-life paintings "but executed out of doors." [...]

The new architectural photography exhibition at the Barbican, "Constructing Worlds," sets out, as Ghirri himself did in shooting buildings by the architect Aldo Rossi, to explore another approach [...]. Something very different, in other words, from "maximum clarity." — latimes.com

For as long as digital technology continues to creep into every part of our daily lives, so will the discussion regarding its impact on everyday reality. Over at London's Hayward Gallery, the MIRRORCITY exhibition features the multimedia works of London-based emerging and established artists that address the dilemmas, consequences, and experiences of living in the digital revolution. MIRRORCITY will be at the Hayward Gallery until January 4, 2015. — bustler.net

Haworth Tompkins architects spent nine years transforming the rundown historic Everyman Theatre in Liverpool into the building it is today. Those nine years were well worth it, as Haworth Tompkins just won the prestigious RIBA Stirling Prize 2014 for the UK's best new building of the year. — bustler.net