Smithfield market will be the museum’s new home, but which architectural vision should shape its future: the eye-catching one, the ghostly one, the corporate one … or the one that rings alarm bells?

Little detail has been revealed about the shortlisted schemes, which will go on public exhibition from 10 June to 5 August with a winner chosen by an expert panel later this summer. — theguardian.com

Asif Khan who, exuding youthful energy, called the Summer House a “project” and an “opportunity”. The structure forms a circular enclosure with a circular seat at its middle, shaped by vertical white slats softly bending upward. Khan explained his research into Queen Caroline’s Temple, saying, “I took that as a departure point for my project, and plugging in sun path calculations to the existing temple, because there had to be some seriously clever way that it was positioned.” — Archinect

“While observing the building, we realized that the internal void was really a great quality to reveal, and so our building is really an inversion of that,” [Kunlé Adeyemi] explained.

“In a way, it’s a rotated from of the temple that highlights the interior space and also creates the fundamental purpose of what we think a summer house is: a place for shade and relaxation." — Archinect

At 93 years of age, Friedman is the oldest architect in the group. He took the opportunity to further explain the thinking that has propelled his life’s work, and the origin story behind the structure.

The Summer House, Friedman explained, “was improvised from small models that I was putting together and it was reproduced. And for me the most important [thing was] that anyone could make this, and I made this experiment and it was built by children.” — Archinect

With the new mayor focusing our attention on smart development and social equality, 2016 will be a banner year for the London Festival of Architecture. Election watchers will be familiar with many of this year’s hot topics: community spaces, social housing, docklands renewal. But considering the theme this year is ‘community’, there will be something for every tribe of Londoner. Out of 300 events, we’ve picked the 10 must-sees. — thespaces.com

Liverpool's Riba North will have conference facilities and a gallery "at its heart", a spokeswoman said.

It will open in August with an exhibition of designs for Liverpool that were never built.
The centre, which will be housed in the Broadway Malyan-designed Mann Island on the city's waterfront, "will offer a magnificent opportunity to display Riba's historic collections, telling hundreds of years of the UK's extraordinary architectural history", Duncan said. — bbc.com

In the early 1960s, [Penn State's] international studies were confined mainly to books and photos — until George Ehringer and his classmates organized a semester in London, the department’s first official study abroad trip. Ehringer, who earned his bachelor of science in architecture from Penn State in 1964, recently made a $25,000 gift to create the George D. Ehringer, Class of 1964, Award for Study Abroad in the Department Architecture... — Penn State News

A Labour MP has formally asked the government’s independent spending watchdog to investigate how the trust behind London’s proposed garden bridge has spent almost two-thirds of the government funding for the project before construction has begun.

“We’ve had millions of pounds of public money spent and we have no idea what it’s actually been spent on, and it was spent before it even got full planning permission,” Hoey said. — theguardian.com

Almost two-thirds of homes in the Tower, a 50-storey apartment complex in London, are in foreign ownership, with a quarter held through secretive offshore companies based in tax havens, a Guardian investigation has revealed.

The first residents of the landmark development arrived in October 2013, but many of the homes are barely occupied, with some residents saying they only use them for a fraction of the year. — The Guardian

“The Garden Bridge is a land grab,” says Michael Ball of Thames Central Open Spaces. “That is, a major piece of public space and amenity – the South Bank, the River Thames, and the views across central London – would be sequestered for private interests, albeit cloaked in some appearance of charity and beneficence. When I saw Pier 55 I realised it was an even more blatant example of the same idea.” — The Guardian