Danila Tkachenko is a Russian photographer whose series Restricted Areas crystallises the tendencies of many artists working on themes of the post-Soviet space. As Calvert 22’s Power and Architecture season demonstrates, there is a healthy interest in the abandoned or neglected buildings that once served as landmarks of Soviet ambition: the rack and ruin of utopia. What sets Tkachenko apart is the unforgiving simplicity of his compositions. — calvertjournal.com

Bunker Hill, an area of roughly five square blocks in downtown Los Angeles, holds a place in city lore similar to that of the water wars or the construction of Dodger Stadium: beginning in 1959, it was the subject of a massive urban-renewal project, in which “improvement” was generally defined by the people who stood to profit from it [...] subject of this short film by Keven McAlester, which compares what the same streets in downtown Los Angeles looked like in the nineteen-forties and today. — newyorker.com

In particular, La Brea to Fairfax, which parallels Miracle Mile on Wilshire, was a hotbed of dispensaries with some areas having up to 3 on the same block, making it “the Green Mile.” [...]

I began noticing how the dispensaries branded themselves through signage and typography, and what these choices might convey to their prospective clientele. Second, the fleeting nature of these businesses was such that the green paint hardly dried before a “For Lease” sign would appear — lataco.com

In any city, space is a commodity. In South African cities space is historical and emotional. A new photo series by an American living in Cape Town captures the dramatic inequality of South Africa’s most beloved city. From an aerial view, Cape Town’s scenic beauty gives way to a stark reminder of the country’s past and the continued racial segregation. [...]

“Looking straight down from a height of several hundred meters, incredible scenes of inequality emerge,” he writes on his website. — qz.com

“I set about programming algorithms to generate an imaginary city...One that I could populate with buildings and structures without having to draw or 3-D model.”

[Daniel] Brown begins by plugging random numbers into the program, which uses fractal mathematics to create unique shapes that resemble a 3-D graph. He spends several hours “exploring” the terrain until he finds an interesting form. Brown isolates the shape, and tweaks it until he arrives at something he likes. — wired.com

Lisa Anne Auerbach created a ‘megazine’ of structures reminiscent of shopping malls or warehouses, hidden away from city centers, where thousands of people worship every week [...]

The conception of the cathedral is not only where one goes to be spiritual or commune with God, but to feel awe through the grandeur of the architecture [...] the US megachurch buildings are stripped wholesale of that sense of wonder and connection to the past; they are also far from the focal point of a city. — theguardian.com

The 2016 U.S. Venice Biennale Pavilion is one step closer to becoming a reality with today's reveal of the 'My Detroit' postcard photo competition winners...[Out of 463 entries, the winning photos] were considered as unique individual depictions of Detroit that could also collectively tell a larger story about the present-day city. The photographs will then be printed as postcards and distributed to visitors when the Biennale opens in May. — Bustler

After Feb. 29, when he packs the plywood portraits back into the truck and heads back to Texas, the house will be demolished and replaced by a pair of three-story condos. "It's not going to be fun when I drive off," he says, "but this is always going to be my hometown." — LA WEEKLY

Graham Fink has been documenting the demolition sites of Shanghai for five years, trying to capture the state of flux during this period of rapid urbanisation. His Ballads of Shanghai exhibition is at London’s Riflemaker gallery until Sunday. — the Guardian

Deep in the Transylvanian countryside lies an ancient salt mine dating back over two millennia.

Today Salina Turda has become an unlikely tourist attraction, with thousands of visitors descending its vertical shafts each year to play mini-golf, go bowling and row around its underground lake. [...]

British photographer Richard John Seymour recently travelled to Salina Turda in his quest to document human-altered landscapes. — thespaces.com

Felipe Russo, photographer who lives and works in São Paulo, Brazil dedicated a photoseries titled Centro, to this vibrant and complex city.

Felipe Russo focuses on nearly invisible objects spotted in urban space. He analyses coincidentally captured oddments to decode zeitgeist of a modern city. A plastic bag, brick, cardboard box or zoomed-in cobblestone hidden between business centers, skyscrapers and modern buildings became subjects of surreal compositions. — thisispaper.com