Safety regulations are weird. All the exits are viewed with cameras; each door is equipped with an alarm (or even two), which notifies the police and building security in case of an alert. However, usually you don’t need any permission to get to the business center, and all the doors are open during working hours Monday to Friday, all the alarms are switched off. So, if you are interested in city views from the height without having any problems with the police, just buy a ticket to Hong Kong. — ontheroofs.com

There has long been a subculture of so-called “urban explorers” who have made a game of accessing off-limits places. [...] Urban explorers take photos mainly to document that they’ve been there, while for Deas the image is the whole point. The outlaw Instagrammers have more in common with graffiti artists, another subculture of underground creatives who make their work in the cracks of the urban landscape. — nymag.com

Mohammad Reza Domiri Ganji [...] is capturing truly stunning photographs of the colorful, architecturally gorgeous interiors of historical Mosques throughout the Middle East. [...]

Using wide angle lenses, fisheye lenses and panoramic photography techniques he has traveled to some of the most historically significant mosques in and around his home country of Iran to capture the kaleidoscope-like architecture inside. — petapixel.com

City of Darkness Revisited is a photo book and cultural history of Kowloon Walled City, a largely ungoverned, densely populated enclave within Hong Kong.[...]

It was like nothing else in Hong Kong: a mass of interconnected 12- and 14-story buildings forming a single huge structure, its facade glowing from the light of hundreds of apartments and shops. Clearly there was no administrative oversight. It was too dense, too ad-hoc, too unrestrained. All this was clear before even entering the place. — Kickstarter

In just a few minutes I was hooked. . . The photos and video were stunning. By assuming unusual vantage points, the drone allowed me to “see” so much more of my surroundings than usual.

[The view] would have otherwise been impossible without the use of a private plane, helicopter, or balloon. With any of those vehicles, I would have needed a telephoto lens, and all of them would have made an unacceptable commotion on the beach. What’s more, I would not have been in the photos! — Martha Stewart

English photographer Rebecca Litchfield braved radiation and KGB-style interrogation techniques to capture the beauty of this bygone era in a series called Soviet Ghosts.

Her work took her to schools, hospitals, factories, and accidentally, a top secret radar installation. “Many of the abandoned buildings are pretty unknown to the public, they are hidden behind tall fences and gates, I think it is easy to just pass without knowing what is inside,” says Litchfield. — wired.com

As we speak, pinhole cameras are being placed in secret locations all over Berlin. Each will each take a single photograph with a 100-year exposure. Volunteers will place the cameras in neighborhoods throughout the city, keeping the location a closely guarded secret until they grow old or ill, at which time they will pass the information on to someone in the next generation. In 2114, the people they’ve told will retrieve the cameras from their hiding spots — nextcity.org

The leading Saudi artist Ahmed Mater, who caused a stir with a series of photographs depicting the rampant redevelopment around Mecca, is due to take part in his first public talk in the UK at Sotheby’s London (12 August). Mater will also discuss this work in relation to other cities such as Jerusalem and Medina during the discussion, entitled “Contemporary photography and hybrid architecture”. — theartnewspaper.com

French photographer Romain Jacquet-Lagreze decided to release a second edition of his book 'Vertical Horizon', featuring 56 photos from the first book and 22 new vertigo-inducing images — telegraph.co.uk

How exactly did the faceless tower block become the inspiration for contemporary Russian visual culture?[...]

Large estates are like fractals, or a space created by facing mirrors. Building 8 is exactly the same as building 14, and its young inhabitants must perhaps have the same preoccupation: to someday acquire a similar cell in one of these purpose-built units around town. Can creativity come from places like that? In contemporary Russia, somehow, it does. — theguardian.com

Hans-Ulrich Obrist: The accompanying "Instagram" photos were sent to me from world-renowned architect Frank Gehry. I asked him, like I’ve asked many other artists, simply to write something in his or her own handwriting –- a disappearing art in the digital age. — huffingtonpost.com

In a series of photos taken over seven years, now published in a new book called Ciphers, photographer Christoph Gielen shows a different perspective on sprawl, intended to get more people to question typical patterns of development.

"I meant for Ciphers to be provocative at a time when we are witnessing a phenomenal escalation in urban construction ... when entire cities are emerging fully formed in India and China, rather than slowly evolving," says Gielen. — fastcoexist.com

Grant Mudford has been named the 2014 recipient of the Julius Shulman Institute Excellence in Photography Award. The award highlights an early or mid-career artist who embodies the legacy of architectural photographer Julius Shulman and the Institute's mission to challenge the perception of physical space. — bustler.net

Snap, snap! Here are the winning photos of the 2013 Arcaid Images Architectural Photography Awards. First displayed at the most recent World Architecture Festival, the photos will be on exhibition in London this month.

Architectural photographers had to show the best of their shooting skills under four categories: Exterior, Interior, Sense of Place, and Buildings in Use. This year's judges featured Zaha Hadid, Catherine Slessor, Eva Jiricna, Ivan Harbour and Graham Stirk. — bustler.net