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Understanding the nuances of city stories, and tracing those tensions, requires immersion and patience. Whether we are writing about police work, protests, squatting, free parties, banking or parkour, the best socially engaged journalism – like the best university research – is rooted in participation, spiked with empathy, and resists being reduced to spectacle fodder.
As any war correspondent will tell you, immersion can also be dangerous...
— the Guardian
Bradley Garrett recounts his own infiltration into urbex (urban exploration) communities, and provides a list of the "five most influential 'gonzo' ethnographies." If you aren't familiar with Garrett's work, be sure to check it out. In particular, Explore Everything: Place-Hacking the City is a... View full entry
There has long been a subculture of so-called “urban explorers” who have made a game of accessing off-limits places. [...] Urban explorers take photos mainly to document that they’ve been there, while for Deas the image is the whole point. The outlaw Instagrammers have more in common with graffiti artists, another subculture of underground creatives who make their work in the cracks of the urban landscape. — nymag.com
Previously in Russia: Skywalking - hacking architecture in Russia View full entry