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But Bickels’s lasting legacy was more technical...For those who care about spaces — like Hultén, Piano and countless other international visitors over the decades — the combination of intimate, varied rooms and light sources make for a kind of ur-museum, not grand but perfectly executed. — NYT
James McAuley explains how Mishkan Le’Omanut (designed by Samuel Bickels) in Ein Harod, has inspired some of the 20th century’s most iconic buildings. Especially, with regards to the use of natural light within museum architecture. View full entry
