I kept running my hands over the tower’s concrete walls. Infused with Carrara marble and poured by construction workers who wore white gloves, they feel smooth as silk. The big rectangular and wedge-shaped galleries, windows alternating between panoramas of the city and narrow views over the campus, accommodate best the large-scale works in the inaugural show — NYT

Dutch architect Rem Koolhaas talks to SPIEGEL about the new Fondazione Prada museum he designed in Milan, the danger of turning cities into historical Disneylands and his desire to raze an entire neighborhood of Paris. [...]

Koolhaas: Before the 1980s, the decisions were made by cities. Since then power has shifted toward private investors. Nothing good has come of this for Holland. [...] I regret that cities no longer have money to even pursue a vision of their ongoing development. — spiegel.de

Filmmaker Wes Anderson has a knack for creating fictional spaces with attention paid to the last excruciating detail. His latest space is real, though, and even better, you can get a drink there. [...]

Three new buildings, which were part of a century-old distillery and transformed by renowned Dutch architect Rem Koolhaas, will now house art rather than alcohol. But for the thirsty there’s also a new bar, called Bar Luce, that Anderson designed himself. — qz.com

Some of the spaces are as Mr. Koolhaas found them; others have been reconfigured but look as though they haven’t been touched. The three new buildings are made of glass, white concrete and an aluminum — NYT