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[...] Michael advocated for collective, neighbourly, and walkable cities, while also practising architecture and urban design in ways that embraced these same principles. Even so, his shrewd wit always recognized the fallacy that architecture can change society by itself. “Architecture is never non-political,” he told Aleksandra Wagner in a 2006 interview “it always reinforces a set of social relations, whether within the family or between the ruler and the ruled”. — Failed Architecture
Architect and educator Fadi Shayya pens a heartfelt, personal tribute to the late Michael Sorkin, pointing out his involvement in Palestine and initiatives like the Open Gaza project. "So many others were closer to Michael," Shayya writes in Failed Architecture. "So many others are more qualified... View full entry
Israeli authorities have approved a plan to build a cable car to the Western Wall, one of the holiest sites in the Jewish world, by 2021.
It’s the first phase of what proponents envision as a fleet of cable cars crisscrossing the locus of sacred sites known as the Holy Basin.
— The New York Times
NYT architecture critic Michael Kimmelman explains the controversial plan for a cable-car network, envisioned to connect significant Jewish religious sites in Jerusalem while bypassing Palestinian neighborhoods, and how the concept contributes to a "Disneyfication" of the Holy City as much as... View full entry
This metallic box is the new $21m home for the AM Qattan Foundation, an arts centre that its founders hope will stand as a “beacon of culture” in the occupied West Bank.
“It has been years of fighting to achieve anything close to the standards we wanted. There are defects, but it is the best we could do while building under (Israeli) occupation,” [says achitect Juan Pedro Donaire, whose firm designed the new building]
— The Guardian
The Palestinian Museum opens its inaugural exhibition this weekend focusing on the holy city of Jerusalem, a city that both Israel and Palestine claim as their capital. The wide-ranging, overtly political show focuses on the realities of living in Jerusalem as well as the idea that despite being seen as the original global city, it also serves an example of how globalization has failed worldwide. — The Arts Newspaper
The Palestinian Museum, located in Birzeit, Palestine’s West Bank, opened last May. Back then, however, the $24 million structure designed by Heneghan Peng Architects had no exhibits to show due to a sudden resignation of the museum's former director. Its first show, Jerusalem Lives (Tahya Al... View full entry
THE Palestinians’ new national museum is a striking monument to the state they don’t yet have. Designed by a firm in Dublin, the museum itself is angular and modern, with glass curtain walls topped by smooth white limestone. From afar it looks almost like a low-slung bunker perched on a hill north of Ramallah; inside, though, it is light and airy. A terraced garden stretches out below, filled with dozens of local species...
Only one thing is missing—the exhibits.
— the Economist
A series of curatorial disputes, as well as cost overruns and delays in part attributable to the occupation of the West Bank by Israel, mean the new Palestinian National Museum will open this month without its inaugural exhibitions. The museum was designed by the Irish firm Heneghan Peng.In... View full entry
Besides the thing itself, architecture concerns itself with two kinds of sign about it: iconic signs and symbols. Iconic signs resemble the thing itself. They are the plans and elevations and isometrics. The more symbolic architecture is that of language, the word, the logo and so forth. The postmodern turn shifted the emphasis from the iconic to the symbolic.
I think [Eyal] Weizman has created an architecture about a whole other kind of sign – the index.
— Public Seminar
"Indexical signs are traces of events: where there is smoke there is fire. The smoke does not resemble the fire. It is not an icon. Nor does it have a code like a symbolic sign system. Forensics is a matter of working backwards from the index to the event of which it is the sign, like in a... View full entry
A new museum dedicated to the history and culture of Palestine over the last two centuries is due to open in May next year in Birzeit...In a controversial move, the planned launch date coincides with the 68th anniversary of the Nakba, when the Israeli state was established in 1948 and more than 750,000 Palestinians went into exile. 'The decision to open the museum on May 15 is designed to underline the enduring importance of the Nakba to the museum’s work,' says [museum director] Jack Persekian — The Art Newspaper
More on Archinect:Israel-Palestine: Hope through architectureGaza attacks: Lethal warningsAfter Banksy: the parkour guide to Gaza View full entry
I had doubts about accepting this project. I didn’t want to become a pawn for politicians, but the residents gave me a mandate. The public understood that it could act collectively in order to improve its situation - Architect — Haaretz
Project's architect Senan Abdelkader is well known to NY Times a few years back via Nicolai Ouroussoff. A distinct aesthetic language from Senan Abdelkader: an apartment building in an Arab neighborhood near Bethlehem.An apartment building, designed by Senan Abdelkader, in an Arab neighborhood... View full entry
I’m extremely concerned that if you leave Gaza in the state it’s currently in, you’ll have another eruption, and violence, and then we’re back in a further catastrophe, so we’ve got to stop that,-Tony Blair — +972
Even a hawk like Tony is worried."The scope of destruction in Gaza remains enormous. According to the UN, over 96,000 homes were either damaged or destroyed by Israeli air strikes. The donor states that have pledged to transfer money have yet to do so, re-building is going nowhere, many are... View full entry
His risk-taking real estate is a microcosm of the tumultuous process of Israel-Palestinian peace-making and the web of complex relationships in the occupied territories. — BBC News
Lyse Doucet and Jane McMullen report in from a totally new city made from scratch in the Israeli-occupied West Bank. View full entry
Sometimes it's easy to pretend that architecture exists outside of this world, erupting instead in the blank of a 3D space governed only by the laissez-fair laws of software. But sometimes a news headline will penetrate through this fog of imagination, appearing as a blazing light shining forth... View full entry
They would never discuss issues of repression or land grab directly. There is a certain pact of silence around the political dimension of architecture there. Schools of architecture depoliticise the profession, they put it very much within the domain of aesthetic experimentation — MIDDLE EAST MONITOR
Eyal Weizman - architect, writer, activist and professor of visual cultures at Goldsmiths, University of London - is explaining how architecture and power are inextricably linked, even within structures that appear largely to serve an aesthetic purpose. Buildings or cityscapes that a tourist... View full entry
Public space like the plaza in Al Fawwar is mostly unheard-of in Palestinian camps across the West Bank. Architectural upgrades raise fundamental questions about the Palestinian identity, implying permanence, which refugees here have opposed for generations. [...] Camps were conceived as temporary quarters. The absence of public space was then preserved over the years to fortify residents’ self-identification as refugees, displaced and stateless. — nytimes.com
Weizman has also made a name for himself as the chief proponent of “forensic architecture”, by which he analyses the impacts of urban warfare for clues about the crimes that were perpetrated there. To Weizman, buildings are weapons. When he looks out across the landscape of the occupied Palestinian West Bank [...] he sees a battlefield. “The weapons and ammunitions are very simple elements: they are trees, they are terraces, they are houses. They are barriers.” — theguardian.com
it is clear that the scale of damage is unprecedented, with approximately 13 percent of the housing stock affected, five percent of the housing stock is uninhabitable – an estimated 18,000 housing units have been either destroyed or severely damaged.
This on top of a shortage of 71,000 housing units before the Israeli attack.
— THE ELECTRONIC INTIFADA
This is a real challenge for architecture. I urge Architecture for Humanity to directly involve and bring this crisis into their working platform, producing ideas of reconstruction. View full entry