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Kengo Kuma and Associates has updated progress on the brand new UCCA Clay Museum in Jiangsu province, China, a month after the project was completed in Yixing, the country’s renowned "ceramic capital." Image: © Fangfang Tian, courtesy Kengo Kuma and Associates The museum is covered by... View full entry
Researchers at ETH Zurich have introduced a new robotic 3D printing method for cement-free low-carbon materials for a circular economy. Using a technique called 'impact printing,' the team demonstrated a mixture of excavated materials, silt, and clay that was less dependent on additives for... View full entry
Architects, officials, and villagers confirm the trend: People are discarding traditional materials, mostly mud, in favor of concrete, as soon as they can afford it. As living standards increase making concrete more accessible, some of the world’s hottest, poorest landscapes are rapidly morphing from brown to cinder block grey. — National Geographic
Architects like Francis Kéré have been attempting to buck the trend of using concrete by experimenting with upgraded versions of terrestrial materials like mud bricks that simultaneously provide tools for community-building in developing countries like Burkina Faso. Facade detail of Kéré... View full entry
“In The Unlikely Event” by artist Janet Abrams digs into the nature of the fantastical International Airport typology — “a significant species of monumental urbanism, perhaps the archetypal City State of our time”...Created in 2013...ITUE is an ambitious large-scale ceramic installation that showcases the Top 30 of the world's busiest international airports as terra cotta ceramic bas-reliefs, which Abrams molded individually by hand. — Bustler
Arranged like ancient fossils at a natural history museum, In The Unlikely Event (ITUE) is part two of Abrams' ongoing "A Natural History of Technology" case study series. In ITUE, each airport stands as a physical architectural expression of its home country's ambitions to compete in the... View full entry
Magnets might hold mysterious appeal for some, but for Jolan Van der Wiel, they’re just another tool. For the past few years, the Dutch designer has been experimenting with magnetism to shape and create objects like violent looking stools and futuristic couture dresses [...] He envisions that someday—with a big enough magnet, of course—we could use this same principle to shape larger architectural pieces. — Wired
