“As a teenager I became very interested in street-dance culture and was active on the Scandinavian breakdance scene,” the artist Olafur Eliasson tells his friend and collaborator Anna Engberg-Pedersen in our new book, Olafur Eliasson Experience.

This admission is a slight understatement. In 1984, the nascent artist’s three-man troupe, Harlem Gun Crew, actually won the Scandinavian breakdancing championships. — phaidon.com

A new tour group fusing Soviet architecture with the latest Russian electronica is launching a series of outdoor parties amid the historic courtyards of central Moscow. 

Culture group MosKultProg will be holding two events in March, mixing historian Sergey Niktin's historical tour along Moscow's legendary Kutuzovsky Prospekt with sets from St Peterburg-based DJ Egor Holkin. — Calvert Journal

The value of all this for engineering is currently hypothetical. But what if transport engineers were to improvise design solutions and get instant feedback about how they would work from their own embodied experience? What if they could model designs at full scale in the way choreographers experiment with groups of dancers? What if they designed for emotional as well as functional effects? — The Conversation

Harmoniously weaving together the art of dance and the science of mechanical engineering, Huang Yi performs a man-machine dance duet with KUKA -- a robot he conceptualized and programmed -- set to stirring cello by Joshua Roman. — Ted Talks

A collaboration between the sculptor and performance artist Nick Cave and the architect Jeanne Gang on a site-specific work for Chicago’s Navy Pier is part of the ongoing transformation of the historic waterfront space from tourist trap into cultural destination. — The Arts Newspaper

The hour-long performance uses Holl and Lang’s year-and-a-half-long joint research project, Explorations In, as a point of departure. Lang’s dancers bend and glide swiftly, under vivid projections of light, around the structures Holl crafted for Tesseracts of Time.

The four sections of the performance—“under,” “in,” “on,” and “over”—evoke the architectural form of the body as the dancers “engage in deep spatial constructions in inspiring ways,” notes Holl — thecreatorsproject.vice.com

Congolese performance and theater group Studios Kabako from Kisangani was announced as the 2014 Curry Stone Design Prize winner this past weekend at an awards ceremony in Brussels...Studios Kabako was established in 2001 to address the various emotions linked to the aftermath of civil war. Located in a city that is isolated geographically and culturally, the studio has provided its community a safe creative haven of dance, theater, and music through its urban interventions and cultural programs. — bustler.net

Carlos Acosta's plan to inject life into the island's hidebound ballet scene by refurbishing Havana's crumbling dance school and turning it into an international center for culture and dance has ignited controversy for daring to reimagine the original architect's vision.

Acosta was visibly frustrated by the flap over what he views as a way to give something back as he prepares to retire from London's Royal Ballet after a celebrated career. — npr.org