Mr. Gilmore's specialty was marketing. During his 40 years with HOK, he helped the firm grow from a young St. Louis architectural office into a national and global powerhouse.

He played a key role in public projects including the America's Center and its expansion, the Edward Jones Dome, the Thomas Eagleton U.S. Courthouse, the St. Louis County Justice Center, Terminal 2 at Lambert-St. Louis International Airport and the Abraham Lincoln Presidential Library and Museum in Springfield, Ill. — stltoday.com

Norma Merrick Sklarek, the first African American woman in the country to become a licensed architect, who helped produce Terminal 1 at Los Angeles International Airport and the American Embassy in Tokyo, died Monday at her home in Pacific Palisades. She was 85. — latimes.com

Anne Tyng, a pioneering woman architect whose ideas about geometry influenced Louis Kahn's buildings and who later had a child with him, died Tuesday, Dec. 27, in Greenbrae, Calif. She was 91, said her daughter, Alexandra, who lives outside Philadelphia.

Although Ms. Tyng was among the first group of women to graduate from Harvard University's architecture school in 1944, she struggled her entire career to be taken seriously. Firms would not hire her because she was a woman. — philly.com

Eva Zeisel, a ceramic artist whose elegant, eccentric designs for dinnerware in the 1940s and ’50s helped to revolutionize the way Americans set their tables, died on Friday in New City, N.Y. She was 105. — nytimes.com

Legorreta continued the tradition of architect Luis Barragan, who died in 1988. Like Barragan, Legorreta used bright colors, massive solid walls, courtyards and geometric cutout windows to interact with Mexico’s abundant sunlight. — washingtonpost.com

Chicago architect Gene Summers, the former dean of the College of Architecture at the Illinois Institute of Technology and the chief designer of the muscular McCormick Place convention hall, died Monday. Summers also served as a right-hand man for Mies van der Rohe, working on such significant projects as the Seagram Building in New York. — featuresblogs.chicagotribune.com

Anthony J. Lumsden, a prolific Southern California architect who helped develop new ways of wrapping buildings in smooth glass skins, accelerating a shift that reshaped skylines around the world, died Sept. 22 in Los Angeles. He was 83. — latimes.com

He was the ultimate perfectionist and demanded of himself as he demanded of others. We are better as individuals and certainly wiser as architects through the experience of the last two years and more of working for him. His participation was so intense and creative that our memory will be that of working with one of the truly great designers and mentors. — Norman Foster

Visitors to the Hungarian pavilion at the 1992 Seville Expo came in from the searing heat to a cavernous, dark space with a great curving roof like a cathedral. At its centre was a tree, brought from the Hungarian plains, stripped bare and set into a glass floor so that its roots, which stretched as far and wide as its branches, were made visible.

It was the work of Hungarian architect Imre Makovecz, who has died aged 75. — ft.com

Richard Hamilton, a British painter and printmaker whose sly, trenchant take on consumer culture and advertising made him a pioneering figure in Pop Art, and who designed the cover of the Beatles’ “White Album,” died on Tuesday at his home near Oxford. He was 89. — NYT

Mr. Garrett died last week at 74, just short of the 25th anniversary of Burning Man’s founding.

But his handiwork will be on display to thousands as the yearly festival begins Monday. Mr. Garrett arranged the grounds, called Black Rock City, in a series of concentric semicircles. At their center is the Man, a giant effigy meant to be immolated on the last night of the weeklong gathering. — nytimes.com

Zurich Esposito, Executive Director of AIA Chicago, added that, “Doug was a shooting star and always ahead of most. We are only just now starting to understand everything he was moving forward in design. His recent absence from the practice was palpable. His death is a huge loss for our community.” — archpaper.com

A pioneer of the Chicano art movement that took root in the social and cultural upheavals of the 1960s and '70s, Magú, as he was universally known, was among the first U.S. artists of Mexican descent to establish an international career. — L.A. Times