Architect Frank Gehry has often talked about the influence artists have had on his building designs. [...] An early work from the 1960s by sculptor Larry Bell in the Frank Lloyd show offers a partial template for a Gehry design built three decades ago in Toluca Lake.

Gehry's World Savings and Loan branch at Riverside Drive and Mariota Avenue is a sky-lighted, one-story hall framed by tall facades out front and in the back, as if a full second story had been planned but never built. — latimesblogs.latimes.com

Richard Serra’s new sculpture, 'East-West/West-East,' is a set of four standing steel plates rolled in Germany, shipped via Antwerp, and offloaded, trucked, and craned into place in the middle of the western Qatari desert...the steel is the same that he’s used in his other pieces, and it will oxidize in the same way, albeit more quickly in the hot, salty conditions of the Brouq Nature Reserve. The plates will [ultimately] turn a dark amber—approximately the same color...as the Seagram Building. — The New Yorker

Dressed in reflective yellow construction gear while working under the cover of darkness early Monday, a small group of artists installed a tribute to NSA-leaker Edward Snowden in a Brooklyn park.

But it was gone by midday.

The Snowden bust stood atop a column at the Prison Ship Martyrs Monument in Fort Greene Park, a site built to honor more than 11,000 American prisoners of war who died aboard British ships during the American Revolutionary War. — mashable.com

Located in Garden Valley, Nevada, Michael Heizer’s City is one of the most significant works of art in the United States. Begun by Heizer in 1972, the project is now in its final stage of completion. It will, in the future, be accessible by the public. [...]

To see the land developed into a site for military, energy, or waste purposes, would ruin it forever. After 43 years of work, can it really be destroyed like this? — unframed.lacma.org

Here's one for you lovers out there: in the annual Times Square Valentine Heart Design contest, Brooklyn-based, Venezuelan-born firm Stereotank just came out as the winner with their entry "HEARTBEAT."

The interactive installation is scheduled to open for an entire month to couples and singles alike on February 9. — bustler.net

"The tradition I’m coming from is not pleasure. It’s a certain shamanistic excess" — NYT

At first glimpse, the House of Mirrors looks like a misplaced stack of wiry boxes randomly cast away along the Australian coast. Up close, the cubical structure further engages passersby as its steel frame draws them right to its mirrory middle, which appears to float inside as it reflects its coastal surroundings. — bustler.net

“He didn’t like people coming into the studio and seeing the paintings before they were finished,” he said. “This is one of the most ambitious artworks ever envisioned, certainly in the United States.”

Heizer's mammoth masterpiece in the desert is called "City."

“It was in 1994 when I first saw it, unfinished,” Govan said. “You do cry. You think, what an incredibly beautiful ambition.” — ksl.com

The conceptual storefront Prada Marfa, 2005, by Elmgreen & Dragset, has a new lease on life. The Texas Department of Transportation reached an agreement last week with the foundation Ballroom Marfa to preserve the sculpture after nearly one year of negotiations. The government threatened to shut down the work because it could be considered an illegal roadside advertisement under state law. [...] the foundation plans to lease the land underneath Prada Marfa and register it as an art museum. — theartnewspaper.com

On Friday afternoon, a young American in Tübingen had to be rescued by 22 firefighters after getting trapped inside a giant sculpture of a vagina. The Chacán-Pi (Making Love) artwork by the Peruvian artist Fernando de la Jara has been outside Tübingen University's institute for microbiology and virology since 2001 and had previously mainly attracted juvenile sniggers rather than adventurous explorers. — theguardian.com

Practitioners create visually dazzling and unexpected forms that’re seemingly unrelated to anything as prosaic as function or context. They exploit advances in design and construction technology to build ever more visually arresting and extraordinary buildings.

The future of this movement is likely to be limited because the law of diminishing returns inevitably applies to the search for ever-newer and ever-more unexpected architectural forms. — INDAILY

[...] Dutton and Piper have traced a path, broadly following the Meridian, extending from the 02 Arena in Greenwich across the Thames by cable car to the Olympic Park in Stratford: a largely flat and buggy-friendly three-hour meander through an extraordinarily varied and little-known urban landscape that will be punctuated by striking pieces of modern sculpture. They’re calling it the Line, and the hope is that it will be up and running by midsummer. — telegraph.co.uk