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The French artist Xavier Veilhan has created sculptures of the architects Renzo Piano and Richard Rogers that will be permanently installed next month in Place Edmond Michelet outside the Centre Pompidou in Paris. The pair designed the distinctive museum, which opened in 1977. — The Art Newspaper
Don't miss our 2015-podcast interview with Xavier Veilhan for Archinect Sessions. We talked with the Paris-based artist and his Los Angeles-collaborator, François Perrin, about their series of interventions into some of the world's most famous modernist landmarks and the resulting book... View full entry
Southern California boasts the largest concentration of Iranians in the world outside Iran, and the county of Los Angeles houses the vast majority. The Fahrang Foundation—a non-religious, non-political, and not-for-profit foundation with a mission to celebrate and promote Iranian art and... View full entry
As City—Michael Heizer’s vast Land Art installation in the Nevada desert—nears completion, the fate of the federally protected land surrounding it could soon be decided. Ryan Zinke, the US Interior Secretary, visited the state on Sunday, 30 July, as part of a review of 27 national monuments ordered by President Donald Trump, which could result in some of these lands being reopened to development. — theartnewspaper.com
"A number of museums banded together to call for the site’s preservation," The Art Newspaper explains the background of City's current surroundings (previously also on Archinect), "and in 2015, Obama created the Basin and Range National Monument, which covers 704,000 acres in southern Nevada’s... View full entry
Last week, we covered the newly released designs for a landmark sculpture that would be built at Flint Castle in Wales. The sculpture, designed by George King Architects, was to be a cantilevered bridge structure made of weathering steel and engraved with words chosen from the local community. At... View full entry
Rachel Whiteread is known for her architecturally-relevant art practice, in particular her casts of the inside of buildings. One such sculpture, a cast of a Victorian townhouse, helped secure her the Turner Prize, making her the first woman to ever win the illustrious award. The London-based... View full entry
David Umemoto's modular cubic sculptures are studies of volume—at the juncture of sculpture and architecture . The miniature concrete structures are monumental and re-arrangable, conveying numerous images. "They refer to the archaic and the ephemeral, despite the solidity and the modernity of... View full entry
Building “sandcastles” is a bit of a test. Nature will always be against you and time is always running out. Having to think fast and to bring it all together in the end is what I like about it...Once I begin building and forms take shape I can start to see where things are going and either follow that road or attempt to contradict it with something unexpected. — Calvin Seibert, sculptor
Professional sculptor Calvin Seibert builds “sandcastle” structures that look like they could be straight from the sketchbooks of architecture's modernist icons. Whenever he starts sculpting his next sand structure, he usually only has “a vague notion of trying to do something different each... View full entry
In OMA and artist Taryn Simon's "An Occupation of Loss," professional mourners create unique performances of grief into an enormous sculpture of eight 45 foot concrete inverted wells that act as "a discordant instrument." It's not just for professional criers: during the day, visitors are... View full entry
“My good friend Richard Serra is building out of military-grade steel. That stuff will all get melted down. Why do I think that? Incans, Olmecs, Aztecs—their finest works of art were all pillaged, razed, broken apart, and their gold was melted down. When they come out here to fuck my ‘City’ sculpture up, they’ll realize it takes more energy to wreck it than it’s worth.” — New Yorker
Heizer, a pioneer of the earthworks movement, began “City” in 1972. A mile and a half long and inspired by ancient ritual cities, it is made from rocks, sand, and concrete mined and mixed on site. “ ‘City’ is one of the most important works of art to have been made in the past... View full entry
“In The Unlikely Event” by artist Janet Abrams digs into the nature of the fantastical International Airport typology — “a significant species of monumental urbanism, perhaps the archetypal City State of our time”...Created in 2013...ITUE is an ambitious large-scale ceramic installation that showcases the Top 30 of the world's busiest international airports as terra cotta ceramic bas-reliefs, which Abrams molded individually by hand. — Bustler
Arranged like ancient fossils at a natural history museum, In The Unlikely Event (ITUE) is part two of Abrams' ongoing "A Natural History of Technology" case study series. In ITUE, each airport stands as a physical architectural expression of its home country's ambitions to compete in the... View full entry
It is a simple sculpture: 64 concrete pyramids that stand in a perfect circle around two-and-a-half acres of rippling, black volcanic rock.
Known as “Espacio Escultórico” (“Sculptural Space”), the sculpture was inaugurated in 1979 here on the campus of the National Autonomous University of Mexico. It is considered one of the most important pieces of land art in Mexico, a tranquil oasis in a chaotic city.
— the New York Times
"But the recent construction of a white eight-story building nearby has prompted a furious protest that pits the university’s needs against Mexico’s cultural heritage."For more news from the Distrito Federal, check out these links:How one architect is working to fix Mexico... View full entry
Höller wanted to show that you don’t necessarily get to know a sculpture better by literally travelling through it; that once inside it begins to look like something else entirely... The Slide, a permanent fixture at London’s Olympic Park, will give people a full 40 seconds to experience this and decide for themselves as they make their way down the 178m chute at an estimated 15mph. — wallpaper.com
The basilica of Siponto [...] in Italy’s Puglia region, has long been easy to miss—just another church among the thousands around the country. But these days, the 12th century structure attracts a crowd, sometimes even queues. [...]
Adjoining the newly renovated basilica, standing on the ruins, towers a full blown cathedral—with its imposing arches, columns, and volumes—completely built in iron-wire mesh. It gives the appearance of a hologram, or a 3D charcoal drawing of a time that was.
— qz.com
Find more images of Edoardo Tresoldi's wire mesh sculpture of the Basilica di Siponto on Quartz. Related stories in the Archinect news: "Kinetic" steel museum in New Zealand pays tribute to illustrious sculptural artist Len LyeArtist Carsten Höller to wrap world's longest tunnel slide around the... View full entry
The Len Lye Centre in New Plymouth, Taranaki in New Zealand stands as an emblem of the sculptural works and philosophy of acclaimed artist Len Lye, who was a prominent figure in the kinetic sculpture and experimental film movements throughout the 20th century. Celebrating its grand opening late... View full entry
This week, the Queen Elizabeth Olympic Park in London announced that “the world’s longest and tallest tunnel slide” will wrap around Anish Kapoor’s “ArcelorMittal Orbit.” When the sculpture went up in 2009 after winning a design challenge, it proceeded to receive mostly scathing reviews — and a spot on the shortlist of the 2012 Carbuncle Cup [...]. Today, Kapoor revealed that the slide is actually a work of art, designed by none other than Carsten Höller at Kapoor’s own invitation. — hyperallergic.com
In other artsy-slide-related news on Archinect:Artist Carsten Höller to install massive slides on London's Hayward GalleryCarsten Höller Is Installing a Slide at New Museum View full entry
