The houses aren't difficult to spot. They usually follow some variation of the following pattern: gray or greenish-gray paint, white or brick red trim, a colorful door -- mint green, orange, red -- and sometimes a colorful accent mailbox. Instantly recognizable horizontal wood-slat fencing is the final touch. — kcet.org

Now that the exhibition has opened at the museum's Geffen Contemporary branch in Little Tokyo, where it will limp along through the middle of September as part of the Getty's Pacific Standard Time Presents series, it's clear that it is the product of an architectural ruling class in Los Angeles that is not so much dysfunctional as increasingly insular. — Christopher Hawthorne, LA Times

This was the first time where a musician, Eno -- who said I'm not a musician, by the way, I really construct ideas in a studio -- I felt connected to the idea of music, let's say, as sort of an intellectual project but at the same time it was still music that you wanted to dance to. So this is the architectural song and Eno as a kind of designer. Totally opened my eyes to new things. — kcrw.com

"Tip the world on its side and everything loose will land in Los Angeles," Frank Lloyd Wright reportedly said. That looseness -- a spirit of experimentation, a refusal to be bound by convention -- will be on display June 23 when the MAK Center for Art and Achitecture hosts a tour of groundbreaking modern homes by Frank Gehry, Neil M. Denari Architects, Eric Owen Moss and artist Peter Alexander. — latimes.com

[...] unique to this event was a student design contest among the top seven schools of architecture in Los Angeles. Teams of three students from each school participated in a three-day competition in February to design a Continuing Care Retirement Community that will promote social interaction and community on the MLK Medical Center Campus in the South Los Angeles community of Willowbrook. — bustler.net

A squadron of U-Hauls descended on the parking lot in front of the Geffen Contemporary at MOCA last weekend, setting up a pop-up architecture exhibition in the first in a series of events called On the Road. The U-Hauls served as temporary displays for the work of up-and-coming, experimental architecture practices here in Los Angeles--where architecture businesses are known for being experimental, even if they don't often get a chance to deploy those innovations in Los Angeles. — la.curbed.com

At a festive ceremony yesterday afternoon, the Los Angeles Business Council unveiled the winners of its 2013 Los Angeles Architectural Awards. The program recognizes buildings from throughout the region for their excellence in design, commitment to sustainability and impact on the community.

Architectural icon and SCI-Arc founder Ray Kappe was honored with the L.A. Architectural Lifetime Achievement Award. — bustler.net

"Bracingly forward-looking, Zumthor's design for LACMA would give the city a much-needed jolt of architectural energy." — Los Angeles Times

With his fellow Pritzker Prize-winning L.A. architect, Thom Mayne, playing the self-described role of “ombudsman” and “facilitator,” Frank Gehry is back in the fold for a major exhibition on Los Angeles architects that will open June 16 at the Museum of Contemporary Art. — latimes.com

Frank Gehry has raised concerns that concerts at his Disney Hall in Los Angeles could be ruined by a planned subway line that would run close to the venue.

Recent simulations suggest rumbling might be audible in the concert hall.

These have provoked the architect to call for the Metro’s own noise projections, which two years ago predicted there would be no audible impact, to be reviewed. — bdonline.co.uk

The exhibition at the MAK Center in West Hollywood, curated by UCLA architectural historian and critic Sylvia Lavin, is a wry study of the ways Los Angeles artists and architects worked with, leaned on, stole from and influenced one another in the 1970s.

In a larger sense, it charts the way Southern California architects threw off the influence of establishmen Modernism and helped remake the profession in that decade. — latimes.com

Though indebted to conventional artistic methodologies, the vibrant, playful works of Jorge Prado lack traditional notions of artistic autonomy, with multiple uses straddling sculpture, furniture and architecture. Over espresso and a cigarette in the kitchen of his Los Angeles home, Pardo shares with Oscar Tuazon his processes of transforming built environments into functionally fluid sites designed to facilitate a diversity of experience. — youtube.com

In Venice, Sandmeier wanted to tell the story of a whole neighborhood, not just emphasize the architectural merits of any one structure, and in doing so build a history of architects and artists working together. "Buildings are important for different reasons. Sometimes it's the architecture, sometimes it is the history, and sometimes it is the context," she explains. "Venice is a place with such rich cultural context that underlies the whole community, there is a lot to talk about." — kcet.org

The decision to go with “edible art” as part of a larger park renovation, rather than a standard mural, was seen as a way to foster residents’ participation, said Karly Katona, a deputy to Mark Ridley-Thomas, the local county supervisor. — NYT