She has become a global brand so desirable that her buildings in China are now being pirated – before they are even finished. So what territory is left to conquer?

The answer might be found by peering through the windows of an innocuous looking building on Clerkenwell Road in east London, which opened this week as the Zaha Hadid Design Gallery, part of Clerkenwell Design Week. — guardian.co.uk

After nine years and $135 million, the Yale Art Galleries on the university’s campus in New Haven, Connecticut, have reopened to display the treasures you more typically find in a big-city museum. The project is the culmination of a campus-wide arts master plan that has taken 17 years and $500 million. — bloomberg.com

The new building cost about $26 million to build—70 percent below the previous budget. But is less less? When the new plan was announced, Nicolai Ouroussoff, writing in the Times, thought so, calling it "a major step down in architectural ambition."

Ouroussoff was wrong. True, no one can know what the "cluster of pavilions" would have looked like. I can only report that the rectangular building is a triumph. The materials are gorgeous. — archrecord.construction.com

while there are many moments of breathtaking refinement, and the galleries themselves are a revelation, the result is sadly - no, tragically - a long way from being a successful addition to the city. — Philadelphia Inquirer

The architect on the new gallery is the L.A.-based firm wHY Architecture, founded by Kulapat Yantrasast, who worked with Tadao Ando for 15 years, and designed the L.A. branch of New York gallery L&M Arts, in Venice Beach. The firm, Mr. Rubenstein says, was recommended to him by Los Angeles Museum of Contemporary Art director Jeffrey Deitch, a New York transplant himself. — galleristny.com

When architect Peter Zellner first unveiled his design for the new Matthew Marks Gallery in West Hollywood, it was met with enthusiasm from the planning department and the mayor. But the city has strict design guidelines on the books: New buildings must have windows and architectural detail. The gallery was, well, an “ice cube,” says Zellner, and Marks was in uncharted territory, choosing to make his West Coast debut in the scruffy neighborhood between La Brea and Fairfax... — archrecord.construction.com

Matthew Marks arrived at Ellsworth Kelly’s studio in Columbia County, N.Y., last year with an architectural model of his new Los Angeles-area gallery. It was meant as both visual aid and inspiration. Mr. Marks was hoping to entice Mr. Kelly into creating something for the building’s facade. — NYT

Our third studio project was called ‘Gallery for One’. The point of the project was to choose a work of art and design a space to house only this piece. The hypothetical site was on UBC’s main mall next to our Belkin Art Gallery, on an enormous strip of grass. With such a simple program and very little site restrictions the goal was to generate a space that was completely original and enhanced the experience of viewing the selected art piece without overshadowing it. — UBC (Mike)

Chipperfield... says creating the gallery was like “a three-dimensional jigsaw puzzle” and there’s certainly a lot of geometry involved.

More important, though, there’s an uplifting sense of space, height and – exactly what you don’t expect from the exterior – light. The rooms are flooded with light reflected off white walls, from skylights and from floor-to-ceiling windows that counterpoint the sculptures with the urban reality of Wakefield outside. — yorkshirepost.co.uk