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while there are many moments of breathtaking refinement, and the galleries themselves are a revelation, the result is sadly - no, tragically - a long way from being a successful addition to the city. — Philadelphia Inquirer
Inga Saffron reviews the new building, and the relocated Albert Barnes Foundation, by architects Tod Williams and Billie Tsien. View full entry
The architect on the new gallery is the L.A.-based firm wHY Architecture, founded by Kulapat Yantrasast, who worked with Tadao Ando for 15 years, and designed the L.A. branch of New York gallery L&M Arts, in Venice Beach. The firm, Mr. Rubenstein says, was recommended to him by Los Angeles Museum of Contemporary Art director Jeffrey Deitch, a New York transplant himself. — galleristny.com
When architect Peter Zellner first unveiled his design for the new Matthew Marks Gallery in West Hollywood, it was met with enthusiasm from the planning department and the mayor. But the city has strict design guidelines on the books: New buildings must have windows and architectural detail. The gallery was, well, an “ice cube,” says Zellner, and Marks was in uncharted territory, choosing to make his West Coast debut in the scruffy neighborhood between La Brea and Fairfax... — archrecord.construction.com
Matthew Marks arrived at Ellsworth Kelly’s studio in Columbia County, N.Y., last year with an architectural model of his new Los Angeles-area gallery. It was meant as both visual aid and inspiration. Mr. Marks was hoping to entice Mr. Kelly into creating something for the building’s facade. — NYT
The NYT discusses the future West Hollywood Matthew Marks Gallery, designed by ZELLNERPLUS, with Ellsworth Kelly sculpture-embellished façade. Location: West Hollywood, California. 2011 Design Architect: ZELLNERPLUS Structural Engineer: Gordon Polon SE MEP Engineer: Creative Engineering... View full entry
Our third studio project was called ‘Gallery for One’. The point of the project was to choose a work of art and design a space to house only this piece. The hypothetical site was on UBC’s main mall next to our Belkin Art Gallery, on an enormous strip of grass. With such a simple program and very little site restrictions the goal was to generate a space that was completely original and enhanced the experience of viewing the selected art piece without overshadowing it. — UBC (Mike)
Chipperfield... says creating the gallery was like “a three-dimensional jigsaw puzzle” and there’s certainly a lot of geometry involved.
More important, though, there’s an uplifting sense of space, height and – exactly what you don’t expect from the exterior – light. The rooms are flooded with light reflected off white walls, from skylights and from floor-to-ceiling windows that counterpoint the sculptures with the urban reality of Wakefield outside.
— yorkshirepost.co.uk