The trend began a decade ago, when apartments in two towers on New York's Perry Street were snapped up by buyers like Calvin Klein and Martha Stewart.

"When Perry Street was sold, your name was kind of on the marquee," said Mason.

"That's right, for better or worse," laughed Pritzker Prize-winning architect Richard Meier. He is now working on a new high-end project on the ocean in Miami Beach. — CBS News

The Walkie Talkie – or 20 Fenchurch Street – became known as the Walkie Scorchie because of its apparent ability to bounce heat from the sun on to buildings in the next street in the City of London.

Yesterday, the developer, Land Securities, said that it had received planning permission for a “brise soleil” sunshade to be attached to the building to replace a temporary system erected last summer. Work is due to start this month. — telegraph.co.uk

The most striking Bauhaus designs, such as Marcel Breuer's tubular steel chair or the Wagenfeld table lamp, have been endlessly copied and mass produced.

But the architecture of the design school has left a more complicated legacy in Germany.

[...] reopens two of the art school's most significant houses on Friday, almost 70 years after they were bombed, the move is sure to reignite the old debate about what to do with historic buildings damaged during the second world war. — theguardian.com

You won’t find any stairwells tucked away into the dark corners of George Washington University’s newest academic building.

That’s because those stairs have literally taken center stage in the $75 million Milken Institute School of Public Health — designed by Boston-based Payette Architects and D.C.-based Ayers Saint Gross Architects [...] one of the first things visitors see upon entering the 115,000 square-foot building are the staircases winding every which way up a seven-story atrium. — bizjournals.com

At the Barbican Center in London, the Curve gallery is an example of an unusually shaped art space in the middle of a traditional, rectiform center. Its 90-degree curved design, wrapping around the back of the performing arts center's main hall, has been by turns a challenge and a blessing, and its function continues to evolve even after 30 years' experience. — nytimes.com

Though Piano has taken several passes at the sphere, it hasn't coalesced into a convincing set of architectural ideas. The theater design remains gimmicky, alienated rather than emerging confidently from its site, as Piano's best museum projects do.

By refusing to budge on its construction timeline, the academy is doubling down on the least-promising elements of the design. Sure, some refinements might smooth out some of its more obvious wrinkles. What they won't do is salvage the design... — latimes.com

After a decade marked by deep grief, partisan rancor, war, financial boondoggles and inundation from Hurricane Sandy, the National September 11 Memorial Museum at ground zero is finally opening ceremonially on Thursday, with President Obama present, and officially to the public next Wednesday. It delivers a gut-punch experience — though if ever a new museum had looked, right along, like a disaster in the making, this one did, beginning with its trifurcated identity. — nytimes.com

The first guests at western Europe’s tallest hotel came expecting unforgettable views – but may have got more than they bargained for.

The bedrooms in Shangri-La’s luxury hotel, which opened last week in London’s 310m-tall Shard building, come with binoculars so guests can survey the city’s landmarks through the floor-to-ceiling windows. But thanks to a quirk in the building’s design, some rooms also come with potentially revealing views of other guests. — ft.com

More than 150 cracks have been repaired, rainwater leaks have been sealed, and the 130-year-old Washington Monument is set to reopen Monday for the first time in nearly three years since an earthquake caused widespread damage.

The memorial honoring George Washington has been closed for about 33 months for engineers to conduct an extensive analysis and restoration of the 555-foot stone obelisk that was once the tallest structure in the world. — blogs.wsj.com

As a profit making company, albeit with a sense of stewardship, our research
on resilience is commercially motivated. Our approach helps us to create
portfolios of real estate assets which are resilient and operate in emerging
markets fully cognisant of the risks. — Grosvenor

“I never heard anybody say it was ugly or weird, I had reached universal beauty and Rosario Murillo sadistically destroyed that beauty. How sad and senseless.” - Glen Small — The Nicaragua Dispatch