The most striking Bauhaus designs, such as Marcel Breuer's tubular steel chair or the Wagenfeld table lamp, have been endlessly copied and mass produced.
But the architecture of the design school has left a more complicated legacy in Germany.
[...] reopens two of the art school's most significant houses on Friday, almost 70 years after they were bombed, the move is sure to reignite the old debate about what to do with historic buildings damaged during the second world war.
— theguardian.com
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