The victim, who was 17 at the time, suffered brain damage in the attack, is blind, and can't eat, walk or stand up without help. In the suit filed Nov. 14 in Hillsborough County, her family says the design and construction of the library, built in 2005, contributed to the attack. — www2.tbo.com
... the proposed park would be underground, in a dank former trolley terminal under Delancey Street that is controlled by the Metropolitan Transportation Authority. Though its promoters call it the “Delancey Underground,” another nickname has already been coined: the Low Line. — nytimes.com
“We have the tool kit to pull it off at the highest level in this pressure cooker of New York, and to export it to the rest of the world,” Pasquarelli says, punctuating the self-assessment with a cocky grin: I may be arrogant, but I’m right. — New York Magazine
Justin Davidson examines how SHoP Architects founded by a five friends, who met while at Columbia University in the 90s, are becoming masters of post-boom buildability. Primarily, through a focus on digital fabrication and modularity. Whether their B2 tower, which will rise at Atlantic Yards... View full entry
The 2002 [sic] finalists are: AEDS Ammar Eloueini Digit-all Studio, Ammar Eloueini, principal, of Paris and New Orleans, LA; Hollwich Kushner, Matthias Hollwich and Marc Kushner, principals, of New York; I|K Studio, Mariana Ibañez and Simon Kim, principals, of Cambridge, MA; UrbanLab, Martin Felsen and Sarah Dunn, principals, of Chicago; and Cameron Wu of Cambridge, MA. — blog.archpaper.com
Opinion seemed to be divided along generational lines. Simon, FAIA, shared Berman’s sentiment. Simon founded San Francisco-based SMWM, once the region’s most successful woman-owned firm. (SMWM has since joined Perkins + Will where the formidable Simon is now a design principal.) She thinks “Architect Barbie” trivializes the profession and objectifies its female practitioners. — metropolismag.com
Want to wow your friends and family with a Thanksgiving centerpiece that isn't your typical snorenucopia, er, cornucopia? Then check out this incredibly intricate replica of the High Line, one of our favorite parks in NYC, that is made of recycled materials and, more importantly, vegetarian edibles like stuffing, mashed potatoes and yummy veggies. — Inhabitat
This new MONU issue on the topic of Post-Ideological Urbanism probably touches on one of the most fascinating and biggest issues of our time and in our culture, or what is left of it: the non-ideological - or better post-ideological - conditions of our society when it comes to cities. (Bernd Upmeyer, Editor-in-Chief, November 2011) — monu-magazine.com
This new MONU issue on the topic of Post-Ideological Urbanism probably touches on one of the most fascinating and biggest issues of our time and in our culture, or what is left of it: the non-ideological - or better post-ideological - conditions of our society when it comes to cities. Today... View full entry
Mr. Boeke’s vision paid off. In the 1960s, single-family homes at Sea Ranch sold for about $18,000; they now sell for between $500,000 and $2 million. Many are used as weekend or vacation homes. — NYT
Although he passed on November 8th, his obituary was printed in the New York Times Nov 20th, Sunday edition. Al Boeke is perhaps most famously known as the developer-architect whose vision resulted in Sea Ranch. He developed the project while vice president of planning and development for Oceanic... View full entry
Finally, sameolddoctor wants to talk about architecture and the ethics of working in developing countries vs the ethics of vanity skyscraper projects. Citizen responds:
We don't have to go overseas for ethical dilemmas! How about the shiny new project on theseshores...
whose architect uses unpaid intern labor?
with the bold, avante garde design that is opposed by all the neighbors?
whose objective is to make more profit for an already-wealthy developer?......
In Part three of the Countours features, What Should Architecture Occupy?, Part Three, Sherin Wing, attempts to summarize the responses to Archinect’s OWS poll and since OWS itself is about giving people a voice, she contends "the best way to encapsulate the results is to quote... View full entry
The house was just $1. The catch? A delivery charge of nearly $22,000.
.....Moving a house is, in theory, relatively simple.
— New York Times
Households have evolved. But New York’s housing stock hasn’t. In essence, New Yorkers have increasingly had to adapt to the housing we’ve got, instead of designing and building the housing that suits who we have become. — New York Times
Tribeca Citizen noticed a curious high/low architecture marketing campaign this weekend while on a stroll around the neighborhood: a gumball machine from local firm KUSHNERstudios that dispenses a piece of candy and an architecture comic strip.
We checked in with KUSHNERstudios about the guerilla marketing campaign, and apparently the machine has been up since January (whoops?) and at first dispensed flash drives with the firm's portfolio.
— ny.curbed.com
We're happy to see that KUSHNERstudios gets the word out not only through gumball machines but also by having a nice Firm Profile on Archinect. View full entry
Richard.Rozewski, discusses a microtecture solution being developed by a friend Patrick of APOC. Stephanie however contends “ the idea that this will promote sustainable living is patently false...the construction, however small, of individual buildings for individual people, will always inherently mean the opposite of 'sustainable' ” To which holz.box responded “false false false. microtecture can be very sustainable”.
In Archinect’s latest In Focus feature we talk to British photo artist Simon Gardiner. Simon is a “street photographer who fuses the street with a cinematic feel”. Guy Horton, in part two of the What Should Architecture Occupy series, argues that what... View full entry
All over Los Angeles, the places where artists, architects and engineers were busy in the postwar years inventing the future are being recast as monuments and historical shrines.
This new attitude toward the city's recent heritage can be seen in increasingly visible battles over the fate of postwar landmarks like Richard Neutra's Kronish House in Beverly Hills and in nascent efforts to preserve and display artifacts from the early years of the computer and aerospace industries in Los Angeles.
— latimes.com
Architecture on Film: Rem Koolhaas and Shumon Basar in conversation before the UK premiere of "1,2,3 Rhapsody" and "The White Slave"
10th October 2011, Cinema 1, Barbican Centre, London
— vimeo.com
