His work is badly constructed, ravey-balls hair metal, a C.C. DeVille guitar solo that cannot—will not—end until the billionaire clients who keep paying for this shit can be stopped. — gizmodo.com

Contrary to what you may have read lately, the Museum of Modern Art is intent on carefully preserving the former American Folk Art Museum next door.

At least, the part of it that is most recognizable to the public: an 82-foot-high sculptural ensemble of 63 panels, cast in a gorgeous copper-bronze alloy [...]

“We will take the facade down, piece by piece, and we will store it,” Glenn D. Lowry, the director of the Museum of Modern Art, said in an interview last week. — nytimes.com

In 1968, artist Billy Al Bengston enlisted the help of Frank Gehry to design the LACMA exhibition’s scenography [...] East of Borneo publishes a conversation between the two:

FG: I was a hanger-on to the art scene because the architects that I was collegiate with at the time thought I was nuts. Even my friends at the time and those who are still my friends thought I was weird, but I didn’t know I was weird. And when the art guys embraced me, I was declared weird by association probably. — east of borneo

The Living was selected to re-design MoMA PS1's courtyard this summer. In response Fred Scharmen (who thinks it is a "a gorgeous piece") commented "My initial reaction to this scheme centers around that phrase ‘self assembling’ that shows up in the video around the 00:36 mark...This is slightly problematic".

Lonely male architects star in The Lake House (Keanu Reeves), The Last Kiss (Zach Braff), Three To Tango (Matthew Perry), Sleepless In Seattle (Tom Hanks), My Super Ex-Girlfriend (Luke Wilson), Love Actually (Liam Neeson), Just Like Heaven (Mark Ruffalo), and It’s Complicated (Steve Martin)—apparently, architecture is a good cipher for “sensitive, but not girly.” Few of those men ever worry about the job market... — avclub.com

Competition briefs for urban development can overlook the most pressing and relevant needs of local communities, and architects are usually limited to satisfying the brief's requirements in their proposals.

As a response, Storefront set up the Competition of Competitions, where interdisciplinary teams got to ask the questions in creating their own competition briefs. — bustler.net

100 Years of Architectural Drawing—a recently published book by Neil Bingham, a design and architecture historian who is the consulting curator of architectural drawings at the Royal Academy of Arts, London—highlights 300 architectural drawings from the 20th century that illustrate the evolution of the form. — slate.com

Though easy targets for fiscal hawks, public architecture that’s luxurious and dramatic — even excessive — should be ours as a right. — Jacobin

Today’s technology is rooted in the work of Sir Isaac Newton. Contemporary physics’ paradox in resolving the difference between magnetism and electricity implies multiple truths and we wonder what drove Newton’s work and what drove Einstein’s? — toskovic.com

The Architectural League of New York announced today the eight winners of Emerging Voices 2014. The prestigious invite-only, portfolio competition recognizes emerging and potentially influential firms and individuals based in the U.S., Canada, or Mexico.

This year's winners were selected by the jury for their alternative forms of practice and entrepreneurial spirit, as well as their accomplishments in the design and academic communities. — bustler.net

This 56-minute documentary film features interviews with nineteen Arab architects from Egypt, Iraq, Jordan, Lebanon, Palestine, and Saudi Arabia. It explores the subject of the practice of architecture by Arab women architects and features stories on their experiences, challenges, and achievements. In order to facilitate viewing, the film is divided into six sequels. — Center for the Study of the Built Environment

What is “micro public space”?...To date, Atelier Bow-Wow have presented, in exhibition settings, numerous installations featuring small structures, furniture and so on...More than just small buildings, these works are devices supporting the interaction and activities of all sorts of people, and while compact in size, create places open to a diverse audience". — The Hiroshima City Museum of Contemporary Art