Now that the exhibition has opened at the museum's Geffen Contemporary branch in Little Tokyo, where it will limp along through the middle of September as part of the Getty's Pacific Standard Time Presents series, it's clear that it is the product of an architectural ruling class in Los Angeles that is not so much dysfunctional as increasingly insular. — Christopher Hawthorne, LA Times
"We hoped the canals would simply make it easier to move around the city, for civilians and police but the reality is Water Level is one giant port of entry for whoever has the cash."
- Yoko Aramaki, City Planner
— Flickr
At Brickworld 2013, Nathaniel Brill and a team led by Carter Baldwin, worked together to produce a vision of a cyberpunk city of the somewhat near future. h/t Fred Scharmen View full entry
Following the call for proposals for the recent 2x8 Exhibition Design Competition, the AIA Los Angeles chapter has announced "Cellular Complexity," a project by UCLA lecturer Julia Körner in collaboration with Marie Boltenstern and Kais Al-Rawi, as the winning entry. The Installation will be completed by February 2014, just in time for the 11-year anniversary of the annual 2x8 exhibit. — bustler.net
Anya Sirota + AKOAKI, a design studio based in Michigan, has installed two monumental stars in a defunct tannery in Amilly, France. Titled POP IT UP, the installation is open to the public through September 29, 2013. — bustler.net
As a revealing new exhibit at the Canadian Centre for Architecture shows, ambivalence about digital architecture was characteristic of most of the architects who pioneered it, including Peter Eisenman, Chuck Hoberman and Shoei Yoh. “The computer has become an opportunistic gadget for most of the profession,” Gehry tells the architect-cum-curator Greg Lynn in an interview for the exhibition catalogue. — forbes.com
"These products suggest the terrific span of Le Corbusier’s career in time, space, and scale, attacking the problems of how we should build and how we should live at home and abroad . . . If current architects take anything from the exhibition—a must-see, despite some critical flaws—it should be the power of those big, gestural drawings, where visual and verbal argument vividly come together." — The New Yorker
This criticism of MoMA's exhibition of Le Corbusier's work seems to be disappointed in the light-handed intervention of the curator. However, considering the amount and variety of architecture produced by Corbusier, it's unlikely anyone has clear idea of how best to display his work. Still, the... View full entry
Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X – 197X takes stock of seventy little magazines from this period, which were published in over a dozen cities. Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals. —
This month the boundary has been finally crossed. It is because the exhibition and ongoing research project Clip/Stamp/Fold has landed in the south hemisphere by this month until July 2013. Santiago has had the chance for this first landing. The local version of the project became real due to the... View full entry
"Are festivals and biennales dynamic catalysts to discuss and celebrate the city and architectural culture?" asks the Architecture Foundation, which is putting on the event as part of London's own month-long festival of architecture. "Or are they calculated devices of tourism and industrial promotion?" — guardian.co.uk
For the 145th consecutive year, the American Institute of Architects is holding its annual convention this week, June 20-23. It is the biggest gathering of Architects and designers each year, and it is always held different host cities. This year, Denver is the location. Traveling to the... View full entry
Michelle Chang, a GSD grad, and current studio teacher at CCA and Berkeley, has responded to the closing of SFMOMA's A+D department by initiating a new gallery space to promote the work of young professionals. The first exhibit at Department of Architecture is opening on June 12 at the... View full entry
Here is your first look at models and details of Pritzker Prize-winning architect Peter Zumthor's proposed new building for LACMA. See these for yourself, along with a look at LACMA's architectural history and an overview of other Zumthor projects, in THE PRESENCE OF THE PAST: PETER ZUMTHOR RECONSIDERS LACMA, on view July 9-September 15, 2013 — facebook.com/lacma
For more information, visit lacma.org/zumthor. View full entry
A squadron of U-Hauls descended on the parking lot in front of the Geffen Contemporary at MOCA last weekend, setting up a pop-up architecture exhibition in the first in a series of events called On the Road. The U-Hauls served as temporary displays for the work of up-and-coming, experimental architecture practices here in Los Angeles--where architecture businesses are known for being experimental, even if they don't often get a chance to deploy those innovations in Los Angeles. — la.curbed.com
As the person in charge of design for Ford's entire vehicle porfolio, Mays looks at architecture a lot. And he's ever mindful of buildings and how they're designed whenever he sets about creating a new car or truck for Ford.
What he's learned — and what he likes— about architecture, and Chicago architecture in particular, will be his focus when he joins the panel discussion "Big Ideas in Small Places" on Thursday at the Chicago Architecture Foundation.
— bizjournals.com
With his fellow Pritzker Prize-winning L.A. architect, Thom Mayne, playing the self-described role of “ombudsman” and “facilitator,” Frank Gehry is back in the fold for a major exhibition on Los Angeles architects that will open June 16 at the Museum of Contemporary Art. — latimes.com
... we have turned the Gherkin into the worlds tallest penis. A penis that is being gratified by our parliament with a sexual act. A 180m high erection for deregulation and global capitalism. We have created this art work for all those that are suffering cuts to their budgets, benefits, working hours, rights, freedoms and quality of life as Parliament perpetuates the age old practice of taxing the poor for the mistakes of the rich. — vimeo.com