They would never discuss issues of repression or land grab directly. There is a certain pact of silence around the political dimension of architecture there. Schools of architecture depoliticise the profession, they put it very much within the domain of aesthetic experimentation — MIDDLE EAST MONITOR
Eyal Weizman - architect, writer, activist and professor of visual cultures at Goldsmiths, University of London - is explaining how architecture and power are inextricably linked, even within structures that appear largely to serve an aesthetic purpose. Buildings or cityscapes that a tourist crosses the world to see were often conceived with the intent to oversee their populations.
Weizman has just returned from a trip to the US. Like Israel, highways in Los Angeles serve more affluent communities and bypass the poorer areas. In the Gulf, he says, the labour force is contained, separated and supervised. Such capitalist tools of separation, seen across the world, "are all part of the growing toolbox of architecture and planning in the West Bank – it's composed, I mean it has a sort of colonial history, but it's contemporary vocabulary exists overall, everywhere you look, everywhere you go you have the politics of surveillance, separation, supervision and sometimes even oppression. Palestine is to a certain extent, a laboratory for the application of the most extreme means."
previously, Forensic Architecture, Rebel Architects and more here.
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I had the privilege to listen to Eyal speak at Ohio State University, his work is inspiring and a breath of fresh air for the discipline. Every design student should be encouraged to read about his work at some point in their education.
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