I am young man of 71 years old. I am a visual man. A man working working with eyes and hands.

MIT Prof. Mark Jarzombek on the notion of primitive, the worldwide evolution of the housing, and the fate of the native populations in the modern environment

When does the architecture begin? How the pit house can explain the global migrations and links between the Navahos and first men in Europe? MIT Professor of the History and Theory of Architecture Mark Jarzombek clarifies the essence of the problem. — serious-science.org

Mark your calendars! Some popular architects will be speaking in the upcoming "Innovators" talk series at the Museum of the City of New York, starting tomorrow May 6 at 6:30 p.m...

Accompanying the current "Palaces for the People" exhibition, each talk will explore the influence of the Guastavino Company, led by a Catalan father-son team whose architecture, construction, and design practices helped shape NYC's built landscape. — bustler.net

The Eternal Space will visually recreate the marvel of the former Pennsylvania Station using the actual photographs that documented the station’s demise. [...] Using the latest in projection technology these arresting photographs will speak to the tragic demolition of an American architectural masterpiece [...] On the 50th anniversary of that great loss, The Eternal Space will pay tribute to the station and the gifted photographers who worked to immortalize it. — theeternalspaceplay.com

In creating associated descriptive metadata, in tagging building entries to describe their materials, types, and, perhaps most especially, their styles, the author of metadata is practicing the historian’s craft and engaging in the historian’s stock in trade. "Name it, then we’ll know what it is," Reyner Banham suggested at the end of “The Great Gizmo.” We can name it metadata creation, but we already know what it is: architectural history. — Places Journal

"It was a place where you got your information, and served as a post office -- it had an integral role in the community," Moy said of the building, as well as other similar sites. "It's a unique structure, even though architecturally it's very utilitarian and doesn't represent any high style of architecture. It's more about the people and the work they did." — Los Angeles Times

A historian might spend decades undertaking research in archives and writing up discoveries in scholarly journals, but if the work does not have a presence online — and, specifically, a presence that is not behind a paywall — it is all but invisible outside academia. As Ridge states, “If it’s not Googleable, it doesn’t exist.” — Places Journal

Architecture with capital letter A is a short movie, featuring Architects who might have shaped the concept of Architecture itself in the last decade. The movie combines excerpts of their interviews, speeches or documentaries over the last 70 years. This accumulation of scenes expresses somehow the condition of Architecture today - its moments of Glory and Misery. — viavili.com

Yet another treatise on Steve Jobs? As an “architect” — really? And with Apple seemingly waning, aren't we behind the curve on this? Suffice it to say that my interest is not solely in Jobs himself, but rather in the challenge he poses to the methods and purpose of an architectural historian.... But since architectural stories are surprising rare here on the edge of the continent, I need a shtick; no matter my connoisseur-ish personal tastes and leftist political dispositions. — Places Journal

In Santa Barbara, Calif., the hot architect in town is George Washington Smith. In Charlottesville, Va., it's Eugene Bradbury. And in the small town of Washington, Conn., homes by Ehrick Rossiter are prized. These architects have a few things in common: They're long dead, they're relatively unknown outside the small, affluent pockets where they practiced in the early 20th century and they've all made a comeback. — online.wsj.com

In its most far-reaching aspects, container urbanism proposes to take the fundamental organic/architectural condition of containment further by exploring how a boundary might be better coordinated, even merged with the flow of material/ideas. Can containment equate more closely with transmission and, in so doing, position architecture and urbanism more in line with societal mobility and change? — Places Journal

Eighteen feet below one of Rome’s most-trafficked junctions is a 900-seat arts center dating back to the second-century reign of Emperor Hadrian, Italian archaeologists have announced.

The discovery, widely seen as the most important in Rome in 80 years, came as a result of digging for the city’s third subway line. Archeologists spent the last five years excavating two halls of the structure under the Piazza Venezia, which is believed to be an arts center, or auditorium, built by Hadrian. — artsbeat.blogs.nytimes.com

We tend to think of architecture as solid, stable, enduring, something that at its best will outlast us and possibly say something about us to future generations. Demolition makes powerfully evident the vulnerability, the mortality, of all things standing. — Places Journal