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Todays, pavilions are an omnipresent type of building. Unburdened to a certain degree from constraints of conventional architectures, such as program or function, pavilion designs offer architects a reign of technological and formal possibilities. Architects are commissioned for designs, in which... View full entry
“He was so much more than an engineer,” says the V&A’s Zofia Trafas White, who co-curated the show with Maria Nicanor. We are walking through a corridor of the Dane’s dreamy doodles, which forms a slightly surreal start to the show [...]
“Designing,” Arup said, “is defining a sensible way of building.” Noticeably, all the projects on show trumpet their engineering credentials at full volume, as the (seemingly) logical expression of how they were made.
— Oliver Wainwright | the Guardian
For more on Ove Arup and his firm, check out these links:Ove Arup celebrated with new show at the V&AOur cities must adapt to climate change and growing populations within a single generation, according to the head of ArupArup Germany/SolarLeaf, Studio Tamassociati, and Elemental win in... View full entry
The show, curated by the V&A’s Maria Nicanor and Zofia Trafas White, is a fascinating exploration of the 20th century engineer’s life and work, and how it has influenced today’s practices in his field. Arup, fittingly argue the curators, was a true pioneer, championing real collaboration with architects, using a computer for the first time during the Sydney Opera House project in the 1960s – a hefty but fascinating machine called 'Pegasus', on display at the show. — wallpaper.com
Read more UK news here:This week's picks for London architecture and design eventsMuseum of London design shortlist revealedAuthor of 'Interactive Architecture' on the built environment in the age of ubiquitous computing View full entry
