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Emily Bills, director of the Julius Shulman Institute at Woodbury University and co-curator of the exhibit, said the goal was to show how Guerrero, built a career in parallel to photographers such as Shulman but with less fame. — L.A. Times
Los Angeles Times interviews Curator / Historian Emily Bills on photographer Pedro E. Guerrero, who is known as Frank Lloyd Wright's photographer. Exhibition and the talk by the artist are not to be missed. The exhibit runs April 5 to 25 at Woodbury University Hollywood Gallery... View full entry
Drive-ins symbolize the romance of the open road, of Hollywood movies, and for many, memories of romance itself. I’ve been making photographs of drive-in theaters for more than a decade now. Every theater is unique, but there are repeating visual themes like the giant white rectangle of the screen, that relate to and resonate with the enormously varied American landscape. — kickstarter.com
Help support Carl Weese photo-document the iconic drive-in movie theaters before they are wiped off the American landscape. Check out Archinect's latest curatorial pick at Kickstarter. To view all of our selections visit Kickstarter.com/Archinect. View full entry
In just over two weeks, Japan will be observing the one-year anniversary of the disastrous magnitude 9.0 earthquake and tsunami that struck its east coast in March of 2011. [...] Photographers documented the many faces of this tragedy and have now returned to give us a look at the difference a year can make, re-shooting places that were photographed during and immediately after the quake. — theatlantic.com
Even though Özcan’s photographs do not contain a single human figure, we cannot talk about the absence of the subject. All these images are stamped by the shadow of the subject who has temporarily or permanently left. -Özgür Özakın — Istanbul Fading
Photographer Metehan Özcan captures the fading feeling of the city from his highly poetic viewfinder. Photographer's other work and articles about them can be seen in his website. metehanozcan.com View full entry
The truth I’m trying to present is one about site-specific forgetting. If our history is a history of forgetting how to remember the past, as I am arguing, then the city of Detroit is the engine of our conflicted deliverance. It’s the machinery we’ve used for particular acts of forgetting, each connected to the place and time where the forgetting got done. — Places Journal
This week on Places, two features by Detroit residents contextualize the city's ruins. In "The Forgetting Machine: Notes Toward a History of Detroit," Jerry Herron reflects on the decline of Hudson's and the improbable hopefulness of the retrofitted car park in the Michigan theater. He critiques... View full entry
A few days ago, we published the winners of the Architect's Eye Awards, a British competition celebrating excellence in architectural photography. Today, we are happy to also post all finalists from the 'Architecture and People' category. — bustler.net
The winners of the Architect's Eye Awards, which celebrates architects' passion for photograph, were announced on Tuesday, November 22, during a ceremony hosted by the competition organizers, International Art Consultants, at their gallery in London, UK. — bustler.net
Before the German photographer even snaps a single shot, he is in his studio, creating 3D model subjects—usually industrial grey constructs in still, almost poetic, settings—out of deco boards, plasticine, and paint. It could take weeks, even months, before Frank is fully satisfied that each model is indeed flawless. — trendland.net
In case you had missed LA's Little Tokyo Design Week back in July, here is the winner of the design week's grand prize, the Golden Astro Boy Award, in detail: ARTCUBE, an interactive installation by Los Angeles-based designer Brandon Shigeta: ARTCUBE contains a novel interactive sculpture... View full entry
Still, Bezjak hasn't refrained entirely from commenting on the architecture. He developed strict formal guidelines for his series, photographing it all with a large-format camera and always with the same lens. "I photographed everything that fit within this frame -- in terms of the buildings' dimensions, but also in terms of the possibilities for distancing oneself from the building -- and not the rest," he says. — Der Spiegel
The photographer Roman Bezjak spent five years traveling around Eastern Europe taking pictures of communist-era buildings. Born in Slovenia but raised in West Germany, he set out to document the everyday qualities of communist buildings. His book recently published book "Sozialistische Moderne... View full entry
These weird, modernistic structures reveal a surprising freedom after the strict controls in 1920s Constructivism, Stalin's so-called Empire (or Gothic) style and Nikita Khrushchev's Modernism initiated in the '50s and '60s. — Los Angeles Times
The Palast der Republik was a showpiece building in East Berlin, a congress hall as well as a center for public entertainment. By 1993 it had been sealed off to the public. Thorsten Klapsch was the last photographer to capture its interiors before a long period of demolition began. — Der Spiegel
