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A historian might spend decades undertaking research in archives and writing up discoveries in scholarly journals, but if the work does not have a presence online — and, specifically, a presence that is not behind a paywall — it is all but invisible outside academia. As Ridge states, “If it’s not Googleable, it doesn’t exist.” — Places Journal
Over the decades women architects have received scant attention from historians and prize juries. On Places, Despina Stratigakos writes, "The painful cancellation of Denise Scott Brown in the awarding of the Pritzker Prize solely to her husband and collaborator, Robert Venturi, is an important... View full entry
Increasingly it's been cities that have taken the lead on critical issues, from gun control to immigration reform to economic stimulus to climate change. Given the migration of people into cities worldwide, this trend is sure to continue. We might even be in a de facto transition to a society dominated by economically and politically powerful cities — a contemporary version of the great city-states that arose in the 13th century and ruled Europe until the consolidation of modern nation-states. — Places
For almost a decade David Burney has been Commissioner of the Department of Design and Construction in New York City. In an interview with Places editor Nancy Levinson, he reflects on the urban design record of the Bloomberg years, focusing especially on PlaNYC, the ongoing post-Sandy recovery... View full entry
Slowly it dawned on me that this was not a photograph of a real building but a total digital fabrication. I was shocked, not in a moralistic way but, rather, with amazement at the masterful deception and amused pique at being fooled. — Places Journal
The technologies of representing architecture have advanced steadily over the years, from drawing to photography to digital rendering — and have lately taken a new leap. On Places, Belmont Freeman argues, "the crafts of architectural rendering and photography have now merged into a common... View full entry
The Modernism worth pursuing — worth protecting — is the one where Gregor Samsa wakes up transformed into a large insect, and ends up with an apple embedded in his carapace, which is exactly what the Folk Art Museum is to the Museum of Modern Art, right now, right where it is. — Places Journal
On Places, David Heymann presents an incisive critique of MoMA's decision to raze the Folk Art Museum building, by Tod Williams Billie Tsien Architects. From a quiet beginning — "Here is why I think the American Folk Art Museum is a great Modernist building" — Heymann works his way to... View full entry
At university, students from other courses felt that we in architecture weren’t really studying at all; to them the studio seemed like some kind of uber-kindergarten, legitimated for academic credit.... The architecture profession seemed from the outside, and perhaps even to us on the inside, to promise an idyllic eternal childhood of balsa and glue and gee-whiz drawings on computers. — Places Journal
On Places, Naomi Stead discusses the popular conception of architecture as a kind of "child's play." What do dollhouses and architectural models have in common? Why should we care about Lego Architecture and Architect Barbie and the romantic depiction of architects in Hollywood movies? She... View full entry
Atlanta and Rio are but two chapters in the long history of displacement that has accompanied mega-events like the Olympics. Similar dynamics reshaped London’s Clays Lane Estate, Beijing’s hutongs, the Marousi Roma settlement in Athens, Barcelona’s Poblenou and Seoul’s hanoks. . . . Today the people of Vila Autódromo are struggling for what housing scholar-activist Chester Hartman has aptly called “the right to stay put.” — Places Journal
As plans unfold for the 2016 Summer Olympics in Rio de Janeiro, MIT's Lawrence Vale and Annemarie Gray consider the case of Vila Autódromo, a former fishing colony on the Olympic site whose residents have organized to resist displacement. They compare ongoing events in Rio to the... View full entry
Reading this was for me an epiphany. I could see, almost in a flash, the unity of building and landscape developing throughout Mies’s building art, ultimately morphing into the podium that binds the Seagram tower to the urban landscape — plaza, platform, an oasis amid the chaos of New York. This led me to reevaluate the importance of surrounding context, in Mies’s architecture throughout his career and to understand in a new light some of his statements, drawings, and photomontages. — Places Journal
"What led Mies to create the union of skyscraper and plaza on Park Avenue, a binding together so profoundly important in his oeuvre?" On Places, in an excerpt from the new book Building Seagram, Phyllis Lambert recounts the evolution of Ludwig Mies van der Rohe's architectural philosophy, from... View full entry
"Irrational exuberance" seems to me an apt introduction to an understanding of Rem Koolhaas in the '90s and beyond; it foregrounds his great success in navigating the intersection of the pragmatic corporate sector, on the one hand, and the “delirious” and volatile realm of desire and possibility, on the other. ... Koolhaas has encouraged his followers to shed the crippling shackles of critical theory and pick up a surfboard upon which to ride the shock waves of the new economy. — Places Journal
For decades Rem Koolhaas has been not only a leading global architect but also a restless provocateur. On Places, in a chapter from the forthcoming book Architecture and Capitalism, Ellen Dunham-Jones explores Koolhaas's protean career, from the early fantastical projects to the big books... View full entry
Yet another treatise on Steve Jobs? As an “architect” — really? And with Apple seemingly waning, aren't we behind the curve on this? Suffice it to say that my interest is not solely in Jobs himself, but rather in the challenge he poses to the methods and purpose of an architectural historian.... But since architectural stories are surprising rare here on the edge of the continent, I need a shtick; no matter my connoisseur-ish personal tastes and leftist political dispositions. — Places Journal
What is revealed when we contemplate the late Steve Jobs not only as a technologist extraordinaire but also as a sort of architect? And if we then compare Jobs with another complicated virtuoso, Rem Koolhaas? On Places, architectural historian Simon Sadler argues "Jobs and Koolhaas both seem to... View full entry
Whatever you want, then, go to an architect for it; not to a carpenter, or a mason, or your own still more profound incompetence. Tell him all your practical, material desires, and insist that they shall be respected... Settle your practical desires and state them clearly; and, if you will, pour out your vague aesthetic wishes; try to explain those crude artistic preferences, those misty, formless visions which you are pleased to call “my own ideas.” — Places Journal
Mariana Griswold Van Rensselaer, though little known today, was not only a leading architecture critic of her day but also one of the pioneers of the field in the late 19th century. On Places, Alexandra Lange analyzes her writings and her influence. As she writes, "Mariana Van Rensselaer worked... View full entry
There is only so far the gap between the migrant workers and the local Shanghainese they serve can grow before the foundations of the city buckle — and only so many well-educated, English-speaking, computer-literate, world-traveling young people the city can welcome before they demand change. Modernity is about more than fast trains and tall buildings. Despite the authorities’ strict controls, some among Shanghai’s millions have surely figured this out. — Places Journal
In just two decades Shanghai has been transformed from "mothballed relic" of Maoism to one of the world's largest and most dynamic cities, complete with the fastest train on earth and more high-rise buildings than Manhattan. In an excerpt on Places from the new book A History of Future Cities... View full entry
In its most far-reaching aspects, container urbanism proposes to take the fundamental organic/architectural condition of containment further by exploring how a boundary might be better coordinated, even merged with the flow of material/ideas. Can containment equate more closely with transmission and, in so doing, position architecture and urbanism more in line with societal mobility and change? — Places Journal
The repurposed shipping container has become a fixture of urban architecture — part of a movement, as Mitchell Schwarzer argues, toward an "urban design as flexible, responsive and electric as the currents that feed it." On Places, Schwarzer examines the rise of container urbanism from the... View full entry
We seem to have lost the political capacity to grapple with the big picture, the long range, the global scale. To a degree we've even lost the vocabulary. In design circles it's as if the perceived failures of mid 20th-century planning — exemplified by top-down urban renewal and personified by the power-brokering Robert Moses — have induced a kind of conceptual paralysis, an inability to formulate the public sector, or public works, in terms not beholden to a discredited history. — Places Journal
On Places, editor Nancy Levinson argues for an intensified political agenda for designers. As Barack Obama takes the oath of office for his second term, the longstanding tension between the pressing need for public action and the tenacious culture of privatization remains the critical dilemma of... View full entry
When I first heard of Paju Bookcity, I imagined a bibliophilic paradise of human-scaled buildings with legible facades nestled side-by-side like volumes on a shelf. When I traveled to the real Paju Bookcity, I found an industrial estate created by companies related to all aspects of book manufacturing, sited north of Seoul in the marshes near the Demilitarized Zone. But if Bookcity is not the fairy tale I envisioned, it is a kind of Cinderella story: this is the industrial park remade. — Places Journal
On Places, Shannon Mattern explores the ongoing remaking of Bookcity — which seeks to reinvent invent Korean publishing, architecture and urban planning — in the digital era. View full entry
Architects think people aren’t interested in buildings anymore, and don’t look at them, and consequently don’t — can't — appreciate what architects really want to do, which is make fetishized constructions to sit on the landscape like mechanical praying mantids, which will make people look at them some more. — Places Journal
On Places, architect David Heymann writes about a heartbreaking house commission outside Austin — the kind of larger-than-life story that could only happen in Texas. The feature includes an audio recording of the author reading his work. View full entry