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In one sense, spectacle shows represent acute risk aversion on the part of museums. It's cousin to the disease that has sacked Hollywood, where only remakes and sequels promise the margins that justify a global blockbuster production—so only remakes and sequels get greenlighted. — citylab
A comment in facebook from Vasif Kortun acutely puts the question in words. "A question rises now in Indiana: Can a pizzeria (or pharmacy, or pediatrics practice) discriminate against LGBTQ families (or seniors, or children) because the business as an entity feels it has a religious obligation to... View full entry