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The authorities in the Cuban capital, Havana, say they are restoring a network of hotels where rooms are rented by the hour to lovers.
State-run "posadas", or love motels, disappeared during Cuba's economic crisis in the 1990s, when they became hurricane shelters.
Private householders filled the gap in the market, but at exorbitant prices.
Officials say the posadas will be cheaper and will help end the practice of love-making in Havana's open spaces.
— BBC
I’m on a walking tour with two dozen international architects and urban designers, as we imagine a theoretical future for Havana. The walk is part of a charrette—an exercise that gives professionals and community members a voice on urban development when there is no formal mechanism to do so, as has been the case in crumbling Havana. [...]
As the Cuban government slowly loosens restrictions on private enterprise, one wonders if the gentrification of Havana is inevitable.
— Hakai Magazine
Related stories in the Archinect news:China and US compete to invest in a newly-opened CubaSelling Cuba (Gehry's already there)Airbnb now open for business in Cuba, despite anemic internet access View full entry
“I give it two years, max [...] It will be US business interests that finally push congress into lifting the embargo – they’re all going crazy being shut out of this market.” American architects and developers are already queuing up to be first in line, ready to pounce on investment opportunities when the embargo drops. Frank Gehry sailed into Havana in December, aboard a streamlined yacht he designed for himself, here to “offer his expertise to Cuba” according to a government statement. — theguardian.com
“You know that Cuba is at the centre of attention of many people,” Gehry told the gathered crowd. “And in the immediate future it will attract many investors – particularly the tourism sector. But I am sure that you know to be careful with those projects.”Related stories in the Archinect... View full entry
With the historic lifting of the Cuban embargo creating an instant rush to visit the long-cloistered island nation, a rush for rediscovery will bring all manner of Cuban art, culture and design to the fore.
While it's not always acknowledged as such, Cuban architecture, especially modernist buildings, showcase an eclectic and exciting blend of styles, from the Spanish and Art Deco buildings that preceded them to the modern and Brutalist influences that came during the postwar period.
— curbed.com
For more on Cuban architecture:Airbnb now open for business in Cuba, despite anemic internet accessA glimpse at Havana's rooftop dwellers as urban landscape transformsCuba in talks for cultural exchange with US museumHavana's overlooked Art Deco architecture View full entry
In overcrowded Central Havana and in the historic quarter, the shortage of places to live and play and find much-needed privacy pushed the city upward, spilling onto the rooftops.The technical term for it is 'parasitic architecture.' The Cuban government doesn’t encourage the practice, but in the city’s oldest and most dilapidated neighborhoods, longtime roof-dwelling families...were usually allowed to stay. The parasites became permanent. — The Washington Post
Havana's rooftop-dwelling communities brace for more change -- at least in tourism -- in the bustling city below, as Cuba and the U.S. re-establish relations. View full entry
Ricardo Porro, an architect who gave lyrical expression to a hopeful young Cuban revolution in the early 1960s before he himself fell victim to its ideological hardening, died on Thursday in Paris, where he had spent nearly half a century in exile. He was 89.
His death was confirmed by friends and associates, including John Loomis, the author of “Revolution of Forms: Cuba’s Forgotten Art Schools.”
— nytimes.com
School of Modern Dance, by Ricardo Porro School of Plastic Arts, by Ricardo Porro To learn more about the Cuban National Art School project and the related documentary Unfinished Spaces, click here. View full entry
Cuba is in talks with the Bronx Museum to organise the first major exhibition by a US museum in the country, according to local reports. The show would be part of the 12th edition of the Havana Biennial next year, and could be followed by an exhibition in New York in 2016 that would feature work by Cuban artists. [...]
During her opening remarks, Perera emphasised the role of culture in “breaking barriers imposed by governments that have nothing to do with the will of the artists” [...].
— theartnewspaper.com