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The pitch-perfect paean to the only city we knew could have been taken straight from Exodus, or the Voluntary Prisoners of Architecture: The Avowal (1972) by Rem Koolhaas and Elia Zenghelis with Madelon Vriesendorp and Zoe Zenghelis [...] No wonder, then, that of all the images from this project, a photocollage of musicians posing in the “strip of intense metropolitan desirability” resonates with my memories of Houston and its eclectic punk scene. — Enrique Ramirez, Harvard Design Magazine
Inspired by the confusing yet formative years of adolescence, Harvard Design Magazine's “Seventeen” issue explores “teens of all sorts—humans, buildings, objects, ideas—and their impact on the spatial imagination”. In the poetic “Life Begins at the Apocalypse Monster Club” by... View full entry
For Lovecraft, the ubiquitous angle between two walls is a dark gateway to the screaming abyss of the outer cosmos; for Ballard, it’s an entry point to our own anxious psyche. — Places Journal
H.P. Lovecraft and J.G. Ballard both put architecture at the heart of their fiction, and both made the humble corner into a place of nightmares. Will Wiles delves into the malign interiors of their imagined worlds and the secret history of the spaces where walls meet. View full entry
The writer and the architect aren't so different from each other when you consider each one as builders of an environment, and what better way to introduce that concept than to a class of high school students. After reading about Matteo Pericoli's "The Laboratory of Literary Architecture" course... View full entry
