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Are cities becoming "greater" these days?
(Bernd Upmeyer, Editor-in-Chief, May 2013)
— monu-magazine.com
Are cities becoming "greater" these days? When two years ago, in our 14th issue of MONU Magazine entitled "Editing Urbanism", we claimed that in the Western world, the need for new buildings and city districts was decreasing or even ceasing to exist altogether due to demographic changes and... View full entry
As Seagram’s director of planning, Lambert visited the site daily. “I had intended to go back to Paris, but I stayed in New York, convinced that if the one person who really cared about the building was not there, Mies would not build Seagram,” she says. With Lambert as his protector and Johnson as his assistant, Mies went on to create in 1958 the Seagram building, a landmark of 20th-century architecture. — wmagazine.com
What actions are prompted by revolution in the space of the city? Which publics take part in this struggle, and who are the agents that mobilize it? And after a revolution has subsided, how is it remembered, represented and memorialized? thresholds 41: REVOLUTION! turns to the history, design, and cultural production of the public realm as a site of dissensus... — thresholds.mit.edu
The shrinkage of daily newspapers and news and culture magazines has thinned the already slim ranks of architecture critics. While blogs and social media proliferate debate about architecture and design, many have fretted about the lack of a common dialogue around architecture and urbanism as defined by the work of leading critics. It turns out that architecture criticism is far from dead, however, as three established voices are finding new outlets with newspapers and national magazines. — archpaper.com
Mark Lamster has been appointed architecture critic of the Dallas Morning News. Inga Saffron has begun writing a monthly column on urbanism for the website of the newly re-launched New Republic. Michael Sorkin is slated to begin writing for the left-leaning Nation magazine. View full entry
Departing with the familiar tradition of producing a hefty physical volume, GSAPP offered its most recent Abstract in the form of an iPad app. In addition to (or on cover-like behalf of) this app, students received an object: It looks like a book, but turns out to be a book-shaped plastic box, and its contents consist of a URL, where the app can be downloaded. This object, as you can see, has not been universally embraced. — observatory.designobserver.com
Bracket [Goes Soft] Toronto book launch will be hosted by creatures:collective on March 1st, starting at 7pm. Editors Lola Sheppard and Neeraj Bhatia will launch the book, which will be available for purchase.
Edited by Neeraj Bhatia and Lola Sheppard of Infranet Lab, this second volume in the impressive [bracket] series “examines the use and implications of soft today – from the scale of material innovation to territorial networks.”
Free and open to the public, no RSVP is required.
— InfraNet Lab
Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” is the result. — nytimes.com
Bracket [Goes Soft] HOUSTON Book Launch and Discussion with Neeraj Bhatia, Ned Dodington, Scott Colman, and Christopher Hight. February 17th @ Architecture Center Houston View full entry
In a cross-disciplinary research collaboration between The Technical University of Denmark (DTU), among others, Henning Larsen Architects has developed a knowledge-based design approach. The research has continuously been tested on real projects. By means of a number of articles and cases, the book presents the results, analyses and methods which make it possible to work with sustainability as a design parameter. — issuu.com
This Friday: Bracket [Goes Soft] NEW YORK Book Launch and Discussion with Neeraj Bhatia, Fionn Byrne, Michael Chen, Leigha Dennis, Sergio Lopez-Pineiro, Geoff Manaugh and Chris Perry. February 8th @ Studio-X NYC View full entry
Making a mess of the built environment and the politics of space, one issue at a time. — SOILED
With the arrival of a new year, SOILED has big plans. Building on our first three issues, Groundscrapers, Skinscrapers, and Platescrapers, we aspire to elevate our forthcoming issue No. 4 Windowscrapers: more dynamic, more tactilely pleasurable, and filled with more ephemera for you to soil... View full entry
When I first heard of Paju Bookcity, I imagined a bibliophilic paradise of human-scaled buildings with legible facades nestled side-by-side like volumes on a shelf. When I traveled to the real Paju Bookcity, I found an industrial estate created by companies related to all aspects of book manufacturing, sited north of Seoul in the marshes near the Demilitarized Zone. But if Bookcity is not the fairy tale I envisioned, it is a kind of Cinderella story: this is the industrial park remade. — Places Journal
On Places, Shannon Mattern explores the ongoing remaking of Bookcity — which seeks to reinvent invent Korean publishing, architecture and urban planning — in the digital era. View full entry
"As the city becomes more technological, architecture will become more essential. Technologies are growing as part of the functioning of cities, and as a result, the design of the urban environment will take on central importance. But this shift won’t occur as we might think.&rdquo... View full entry
The budding industrial designer also gave his top picks from the fair, which unsurprisingly all feature bright swaths of primary colors: a Charlotte Perriand bookshelf from Galerie Downtown accented with yellow squares; a Pierre Guariche chair from Demisch Danant, a Riteveld chair from Galerie Vivid; and a desk from Galleria Rossella Colombari by Gio Ponti, whom he was so delighted to have discovered: “He tried to make the office fun!” — blogs.artinfo.com
In 1954, a young Hungarian went to work with Eero Saarinen in Bloomfield Hills, Michigan. As his then colleague, Cesar Pelli, describes him: “[He] was a small sensation: he had a fur-trimmed coat, a homburg, and a Van Dyke beard.”... He had been a distinguished architectural student at the Ecole des Beaux Arts, in Paris, and a draftsman under Le Corbusier... he was quickly tapped as the in-house photographer, creating pictures that became indelible symbols of the Mad Men age of Modernism. — fastcodesign.com
