In 1954, a young Hungarian went to work with Eero Saarinen in Bloomfield Hills, Michigan. As his then colleague, Cesar Pelli, describes him: “[He] was a small sensation: he had a fur-trimmed coat, a homburg, and a Van Dyke beard.”... He had been a distinguished architectural student at the Ecole des Beaux Arts, in Paris, and a draftsman under Le Corbusier... he was quickly tapped as the in-house photographer, creating pictures that became indelible symbols of the Mad Men age of Modernism. — fastcodesign.com
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