Follow this tag to curate your own personalized Activity Stream and email alerts.
In both movies architecture is crucial to that campaign. The parts of each film set in the past — 1920s Paris & the small-town Texas of the 1950s — aren't just drowning in sepia. They have a certain recognizable and comforting architectural character, not just a look but a shape. They are walkable, low-rise and charmingly coherent. Their streets are cobblestoned or dotted with fallen leaves, their houses and apartments topped with broad, protective gables or perfect mansard roofs. — Christopher Hawthorne, LAT
