In both movies architecture is crucial to that campaign. The parts of each film set in the past — 1920s Paris & the small-town Texas of the 1950s — aren't just drowning in sepia. They have a certain recognizable and comforting architectural character, not just a look but a shape. They are walkable, low-rise and charmingly coherent. Their streets are cobblestoned or dotted with fallen leaves, their houses and apartments topped with broad, protective gables or perfect mansard roofs. — Christopher Hawthorne, LAT
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