Protesters gathered in Sydney’s historic Rocks district on Saturday to rally against the New South Wales government’s plans to sell off the Sirius building – which contains 79 social housing tenants – to developers for more than $100m. The 1970s Brutalist building was nominated for heritage listing by the NSW National Trust in 2014 but the government has refused to grant it, saying the proceeds from the sale are needed to build more public housing elsewhere in Sydney — The Guardian

During his time in power, as head of state and as leader of the all-powerful, secularist Ba’th party, Saddam would oversee an unprecedented program of monumental development across the historic city of Baghdad. This was not limited to monuments of war and hollow bronze shells, but enormous palatial complexes, museums, art galleries, and civic squares [...] marshal it, awkwardly, unevenly, into the post-industrial age, a modern city shaped by the aspirations and egotistical tastes of a despot. — failedarchitecture.com

With its colorful facade, arched windows, spires and rotunda, the A&I (as it's often called) is a festive relief...But despite the perky building's popularity, its reopening was hardly grand. Why so little fanfare? Lack of funding seems to be one explanation

...the building's "unfinished character is one of its charms...It hasn't always been as gently used as we would like. But that's an important part of our history — Smithsonian history and American history." — NPR

Mr. Rosen would not mind getting a little credit for maintaining the 59-year-old building, a landmark inside and outside, designed by Ludwig Mies van der Rohe and Philip Johnson. With its rich materials and exquisite detailing, the building demands scrupulous attention. And money.

RFR executives estimated that it cost about 20 percent more to maintain the seemingly spartan Seagram Building than it would a typical office tower of roughly the same size and age. Less is more. — nytimes.com

The world heritage site status of Liverpool’s waterfront is in jeopardy after the city’s mayor, Joe Anderson, rejected a plea by UN cultural chiefs to halt development in the city [...]

Anderson said he would be writing to the UN body informing it that the city would not be complying with its request [...]

Heritage campaigners recently went to court in a fight to stop the demolition of 10 historic buildings near Liverpool Lime Street station in the buffer zone. — The Guardian

A top businessman has offered to help restore the home of [Thomas Blake Glover] a Scottish pioneer who became one of the most famous merchants in Japan [...]

If anything can be done to restore Glover House we will be prepared to do it and we have made an offer to contribute to the house reopening in his memory [...]

the building would be turned into an “ideas hub”, which could be used to strengthen business links with Japan - with a particular focus on the oil and gas industry. — The Scotsman

For more than 60 years, a home designed by famed architect Frank Lloyd Wright stood tucked in the woods on the south side of Cloquet, little-seen and little-known as the city developed around it.

Now, after being on the market for years, the R.W. Lindholm House has been deconstructed and its pieces are on their way to Pennsylvania, where they’ll be reassembled and the home opened to the public by a group dedicated to conserving Wright-designed structures. — Duluth News Tribune

Ozymandian in their hubris and decay. There are over 2,000 buildings, most of them havelis, covered inside and out with frescoes that depict scenes from battle, myth, the ancestries of their owners and the coming of the Europeans. The havelis are mostly empty now, and their desolation, combined with their scale and opulence, produces a feeling of wonder. — NYT - T Magazine

An approach called Projective Preservation brings speculation about the future into a dialectical relationship with preservation of a city’s historic and pre-existing environments. Historic architecture, sites and cities can and should be preserved, but they must also be open to reinterpretation and adaptation to meet the needs of present and future generations. — Strelka Magazine

Surfing on this social media hype, the German Architecture Museum (DAM) and the Wüstenrot Foundation have started using the hashtag #SOSBrutalism to make these buildings visible worldwide in order to contribute to saving those that are currently threatened.

"Brutalism represents an anti-attitude, an anti-idyll," says campaign co-initiator Philip Kurz, of the Wüstenrot Foundation. [...]

The German Architecture Museum also plans to create an exhibition next year based on its online campaign. — dw.com

the destruction of the Bavinger House is not surprising. Back in 2011, the home appeared to suffer damage in a storm, and when a crew with News 9 attempted to see the house, they were “greeted with gunfire.” [...]

the house remained something of a mystery (it sat on private property, accessed by a rural road) until last July, when PraireMod reported that it had been contacted by Bob Bavinger’s son, Boz, who claimed to be putting the property up for sale for the price of $1.5 million. — hyperallergic.com

Rome has issued a €500m (£380m) SOS to companies, wealthy philanthropists and its own citizens to help restore many of the Italian capital’s historic sites and prevent others from falling into ruin.

The Roman Forum, the Circus Maximus and the walls, aqueducts and sewerage system of what was once the most powerful city on Earth have all been earmarked as needing help ranging from a relatively minor clean up to full-blown structural works. — the Guardian

The greatest work of art at New Haven’s Yale Center for British Art is arguably the landmark building itself—and Louis Kahn’s last structure is due to reopen this month after a 16-month renovation of its public galleries and lecture hall, and an upgrade of its accessibility, security, mechanical and electrical systems. This is the third phase of a $33m conservation project that began in 2008. — theartnewspaper.com

The Italian government announced [May 2] that it is allocating €1bn [approx. $1.15B] to major restoration and building projects at 33 museums, monuments and archaeological sites across the country, including Pompeii, the earthquake-stricken city of L’Aquila and the Uffizi galleries in Florence. [C]ulture minister Dario Franceschini described the funding, which will continue until 2020, as the “biggest investment in cultural heritage” in Italy’s history. — The Art Newspaper