I met this gray-haired woman. I lit her cigarette and she asked me what I was doing there? I said I just wanted to meet some architects and learn where I could go to school.

"She said, okay, 'If you have a car, tomorrow go to this place in Santa Monica called SciArc, it's a new school. Ask for Ray Kappe and tell them that Esther McCoy sent you.' — kcet.org

Your message is really a philosophical message to architects. You’re trying to show us how we can build cities and break out of the old modes of urban planning and urban design.

And even thinking about or imagining cities that we have had for the past few hundred years, you’re offering a new way. I don’t know anyone else that’s done that today. Maybe someone will say Colin Rowe. OK—Collage City, but this goes far, far beyond Collage City and any urban theory of Corbusier or anyone else. — lebbeuswoods.wordpress.com

Chances are, you know Moby best for his electronic dance music. But it turns out the eclectic-minded musician has another life, as an architecture buff who recently moved to LA and now writes a blog about buildings here he loves. The blog is called, simply, Moby Los Angeles Architecture Blog, and features his photos of local architecture. Frances Anderton talks to Moby about his love of architecture.

The book answers questions like: Why did the flushing toilet take two centuries to catch on? Why were kitchens cut off from the rest of a home? And did strangers really share beds as recently as a century ago? (Yes, they did.) — npr.org

In this uniformity, I see a tendency among architects to respect and maintain the status quo, and a consensus about what architecture is and can do for our society. That’s the expression of a decorative understanding of architecture, even if it expresses itself in a subtle, modernist language. (Jacques Herzog) — Places Journal

There is randomness in job searches. Not every step will be successful. It's easier said than done, but here are three ways to build resilience: — Harvard Business Review

Renowned architect Rem Koolhaas is viewed as one of the most important theoreticians of his trade. In an interview with SPIEGEL, he discusses soulless cities, the failings of Europe's largest urban redevelopment project in Hamburg and the problems with SPIEGEL's brand-new headquarters. — spiegel.de

At the beginning of his career, Alexander Brodsky is part of the “paper-architecture“ movement even though at that point, at the beginning of the eighties, there is no movement in the true sense yet. The notion “paper-architecture” rather expresses a typical limitation to architectural creativity in the Soviet Union of the time: Young architects who would refuse to fit in with the established architecture system would have no means to carry out their projects... — castyourart.com

"This year’s Solar Decathlon was a nail-biter of a competition, but in the end the University of Maryland team ultimately triumphed over all the other teams with an elegant, water conservation-focused home called the WaterShed." — Inhabitat.com

Arieff discusses how sustainability issues -- climate change, peak oil, declining resources -- suffer when they're thought of as trends; why Julius Shulman deserves to be in a sustainability hall of fame for his photographs showing how architecture is about buildings and people; and why, after years at the top of Dwell's masthead, she's done writing about gorgeous Italian closets and kitchens. — theatlantic.com

My idea in the master plan was that this was a place of the spirit. This is where people perished. It was not a piece of real estate any longer. You could not put a building there. — featuresblogs.chicagotribune.com

Why drop in an interview with Archinect’s founder and creative director Paul Petrunia on the MDC blog? Well, on any given day, Archinect is, well. . .bustling with architects, designers and firms who drop by the site’s highly trafficked job boards and community forums. The latter have become the net’s sweet-spot for architects looking for advice on topics ranging from the most mundane to the most ephemeral. — aiacc.org

We typically start with a hypothesis about how a particular material could be used to make structure, space, and atmosphere. We then do a lot of research and testing of the material to determine its potential and economic feasibility. Once we believe we can successfully work with the material, we try to get a sense of how a space constructed from it might feel and what it might signify in a particular form. — dossierjournal.com