Our way of life is still based in twentieth-century ideas, specifically a modernist philosophy that assumes we can use science and technology to conquer nature. So we try to isolate ourselves from nature; our cities are completely segregated from the environment. [...] That kind of modernist thinking has reached its limit. — artforum.com

Euphony, a dramatic installation of suspended stainless-steel ball chains by Ball-Nogues, has been created for Nashville's Music City Center. The studio, headed by Benjamin Ball and Gaston Nogues, intersects the disciplines of architecture, art and industrial design. We talk to Benjamin Ball about Euphony and the process of its construction. — frameweb.com

A major force within contemporary Indonesian architecture, the soft-spoken man is recognized as the helmsman of a generation of independent architects, yet hardly anyone outside his native country knows his name. Locally celebrated but internationally undiscovered, Matin was one of the first Indonesian architects to establish an independent practice after the fall of Suharto in 1998. — MovingCities

Michael Holt speaks to Bjarke Ingels, founder of Danish practice Bjarke Ingels Group (BIG), about the exchange of skills and ideas that stem from international collaborations, and the potential for a hybrid of urban, landscape and architectural form at Barangaroo. — australiandesignreview.com

The artist also explained why he needs three museums for his 48-year retrospective. "It's only 23 works," he said, quicly [sic] adding that these are "works that luxuriate in space, and it takes a lot of space to do that." — phaidon.com

When Charles Correa was recently in London for the opening of his RIBA exhibition, Rob Wilson spoke with him about some of the key ideas, influences and recurrent themes in his work throughout his long career. — uncubemagazine.com

Can we start by exploring your process of developing an initial idea for a project? You all have very different backgrounds, specialising in metalwork, industrial design and architecture. How do these backgrounds integrate? Can this culmination of different abilities become challenging?

It is extremely challenging integrating our different perspectives – based on our specialties, you can encounter all phases and scales of project development simultaneously — Modern Matter

In contrast to postmodernism – to Krier but also to Tschumi and Koolhaas, who tended more toward approaching architecture through the political issues of that time – we started solely from architectural issues. We also wrote our first book about that, about how architecture itself can again be a source of fascination. — uncubemagazine.com

One of the real challenges, since we’re working in so many places—Mexico, Japan, Brazil—is understanding variations, both in terms of culture and context. It’s important to understand differences in scale and environment. — Architectural Digest

Philip Michael Wolfson is an architect from Philadelphia. He was Zaha Hadid's head of design for ten years and now runs his own studio where he works on sculptural pieces and interior architecture. In this episode of Art Talk, we visit Philip in his London studio and he discusses his creative process and shows us a recent piece called "Tsukumogami." — vice.com

Nestled in the flatlands of rural Bangladesh near the River Brahma-Jamuna, coursing down from Tibet, flush with the silts and melted snows of the Himalayas, the Friendship Centre is one of those new buildings which feels as though it may have been there for a very long time. Whilst the simple, graphic forms of its brick construction present a slightly archaic aspect, its enclosure by a bund or embankment lends the whole site an inward-looking inverted feel, almost like an excavation. T — uncubemagazine.com

Today we chat with a man on a mission, Stan Munro, creator of the astounding and ever-growing Toothpick World. Stan is out to re-create the world’s most famous buildings — using nothing but toothpicks and glue. — blog.makezine.com